Your friends, and your associates, and the people around you, and the environment that you live in, and the speakers around you - the speakers around you - and the communicators around you, are the poetry makers. If your mother tells you stories, she is a poetry maker. If your father says stories, he is a poetry maker. If your grandma tells you stories, she is a poetry maker. And thatβs who forms our poetics.
Let's detox our cluttered academic brain. That's what the poet does. People call it daydreaming, detoxing our minds and taking care of that clutter. It's being able to let in call letters from the poetry universe.
What I really had was stories, the oral traditions of my parents. We moved so much that that was really our encyclopedia. A dream world told to me from my parents in the living room.
We went from crop to crop, field to field. And my father had that army truck, a 1940s army truck from Fort Bliss, El Paso.
My mother was a great storyteller and a great historian in her own way. She only made it to third grade. She came from Mexico City at the tail end of the Mexican Revolution and that kind of turmoil and chaos and frenzy and also excitement.
I'm usually writing in English, and then I'll get the hankering to change channels. And usually I'll do that when I want to try a whole new set of keys, like musical keys.
As a boy, I felt ashamed of being Mexican. I'd say I was Hawaiian.
My grandmother and my mom and my aunt Aurelia, my grandmother Juanita, my mom Lucia - we lived on the outskirts of a barrio in Mexico City called Tepito, and Tepito for many, many decades was the largest barrio in Mexico and perhaps even Latin America.
I've worked throughout California as a poet: in colleges, universities, worker camps, migrant education offices, continuation high schools, juvenile halls, prisons, and gifted classrooms.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
Yes, I am the first Latino poet laureate in the United States. But I'm also here for everyone and from everyone. My voice is made by everyone's voices.
I write while I'm walking, on little scraps of paper. If I have a melody going, I can feel it for days.
I tell my workshop students, 'I want you to think of yourselves as artists. Then, when you're writing, you're painting, you're crafting, you're making a design, you're sculpting, you're creating choreography, sound, a sound script.'
Sometimes you can do things with Spanish - like verbs and genders - easier than you can in English.
