I love historical fiction because there's a literal truth, and there's an emotional truth, and what the fiction writer tries to create is that emotional truth.
When a parent says about a book, 'That's not my child's world,' I remind them of the future. Social fluency will be the new currency of success. Not experiencing diversity challenges our kids' future in the global work force. It handicaps them from making America and the world more livable and just.
In 'Bayou Magic,' I bring in the cultural tradition of African mermaids - Mami Wata, the mother goddesses.
A grandparent can be simply affirming. A grandparent has been there, done that child-raising stuff, and has the wisdom of experience. And so in some ways, they're free to love without the anxiety of being the actual parents. They're free to give.
The empathy I found reading 'Heidi' and 'Little Women' is empathy we have as human beings that can feed all of our souls. We have our differences, but we're all so similar in our humanness. So those stories about young girls overcoming meant a lot to me and gave me hope.
I would love for there to be a 'Voodoo Dreams' movie, especially after seeing the glorious 'Beasts of the Southern Wild.' I so admired how the filmmakers captured Louisiana and the magical atmosphere. I cried.
