I feel more comfortable in a place like Brighton - a town, with one centre, one bus station, one train station. And there are so many arty, creative people, and things are less rushed, less stressed.
I love the crowds at festivals because they're so chilled out.
I think it's all about the people who listen to your music, and loving playing and writing. Once you've got those two, and they're your main two priorities, then radio and TV and all the other stuff that comes with it will come. But that's not the be-all end-all.
I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.
My parents are music fans, even though neither of them play an instrument. I was exposed to their record collection, so I love everything from Joni Mitchell to Bruce Springsteen.
I still love records, and I've been fortunate that my parents bought me a record player so I didn't just have my vinyls to stare at!
When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
