One of the things that makes you want to be an actor, speaking only for myself, is that there's something infantile about it. You're suspending disbelief, pretending and entering into a story world.
I haven't had to struggle very much. I haven't paid my dues. I think I have been lucky.
I always thought the biggest failing of Americans was their lack of irony. They are very serious there! Naturally, there are exceptions... the Jewish, Italian, and Irish humor of the East Coast.
The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.
We all know the dangers of sequels. Lightning doesn't strike twice in the same place too often, and I think you've got to move beyond it, go the extra mile and have the courage not to just repeat the first one.
If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.
I love 'Manhattan', and I know it's not one of Woody's favorites.
In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.
Something like 'A Single Man,' it was tiny; it was financed by one guy. We all lost money doing it.
We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.
One of my grandfathers, actually, having gone out there as a minister, decided he would better serve the people as a doctor. So at a very late age - at the age of 38 in fact - he changed course and decided to become a doctor.
Forget trying to be sexy. That's just gruesome.
The only reason I'm in 'Kingsman' is because Matthew enjoys playing with the unexpected. I'm not playing Harry Hart because I'm the butchest actor in Britain. I'm playing it because he said I'm the last person anyone would expect to see in that role!
If you don't mind haunting the margins, I think there is more freedom there.
Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
It's a film called 'Kursk', which is a true story about a submarine disaster. There was an accident on board a Russian submarine in the year 2000, and it stranded a large number of sailors. That's next.
Growing up, my mates and I would have rather been Sid Vicious or members of the Royal Family.
A life of very, very serious, po-faced films would drive me nuts. I need - and I'm fortunate to have - a fairly varied menu in that respect. I mean, I was shooting 'Mamma Mia!' at the same time as I was doing Michael Winterbottom's 'Genova'. That was a very, very bizarre summer.
People have the idea of missionaries as going out with the Bible and hitting natives with it. It's not really what they were doing. They were all doing something rather different.
I've gotten involved in producing now, so the kinds of things that are more my own choice are more possible in that field because I don't have to be castable. I can actually get involved in getting stories off the ground that no one would ask me to be in because I'm the wrong age, the wrong sex, the wrong nationality, or whatever.