No one needed to say it, but the room overflowed with that sort of blessing. The combination of loss and abundance. The abundance that has no guilt. The loss that has no fix. The simple tiredness that is not weary. The hope not built on blindness.
At readings, audience members sometimes ask if I keep writing past the two hours if I'm on a roll, but I don't. I figure that if I'm on a roll, it's partially because I know I'm about to stop.
Writing can be a frightening, distressing business, and whatever kind of structure or buffer is available can help a lot.
As a kid, I liked making up stories, and I wrote a story about a kangaroo and a bat with Christy Chang, and she went on to become a surgeon.
I like birthday cake. It's so symbolic. It's a tempting symbol to load with something more complicated than just 'Happy birthday!' because it's this emblem of childhood and a happy day.
Generally, I think most of my writing tends to have some kind of magical element to it. That's the way I can access the emotional life of the character.
I love food. I'm not a great cook, but I love to cook, and I like how different it is from writing.
Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
I get a little myopic in the act of doing any writing. I think I'm not as interested or not as able to write about balance, because I think there's something I want to try to get at. I'm trying to get at something about the experience of growing up or about families.
When language is treated beautifully and interestingly, it can feel good for the body: It's nourishing; it's rejuvenating.
I did plays in college, and I have half of a play. But I'm kind of stuck. I keep revisiting it so maybe it will move somewhere. There's something about plays where you can feel that sense of artifice at any moment.
In terms of foods for me, I think I have more of the usual associations - foods from childhood that I associate with care and love, from relatives or special restaurants like the kind elderly man who dusted seasoning salt on French fries at the corner burger joint.