It's like with feminism. We talk a lot about feminism meaning complete freedom, and for some people, that means, like, 'Free the nipple!' But there's another end of the feminist spectrum, and that's where people like me are.
I started singing very early. I was six or seven years old, and I was singing along to TV commercials and figuring out, 'Oh, hey, I can sing in tune. This is really cool.' But the songwriting thing came much much later, when I was 19 years old.
Once in a while, I write in Malay and work on something fun that's more for the local Malaysian market, and when that happens, it's always something really special; it speaks volumes that I'm doing it for my fans who have been there for me since day one.
I think you can soften people's hearts, even if they have a lot of hate. Music can do that if it's beautiful and honest. If I can do that - soften just one person's heart - I consider myself successful already.
I have people who say, 'You should dress up like this, or you should dress more modest; you should cover up more.' And then, at the other end of the spectrum, you have, like, 'Why are you still wearing your scarf? You're in America, you know.'
The first time I heard Adam Feeney and Chester Stone Hansen's 'Vibez,' it was used in Drake's '0-100' as a sample.
