In fashion, you have assistants, flashes; you can make sets. There are people running around doing things for you. But I can take it or leave it.
Don't have rules, taboos, or limits.
I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X.
I always dreamed of working in Paris, of going to the Coupole and slapping Picasso or Giacometti on the shoulder.
Fashion was more of a sideline for me. I did it for the money.
This is supposed to be the Big Apple, with neighborhoods where the houses are all good-looking and the skyscrapers and everything. But to me, New York is kind of shoddy and uncomfortable.