I always think about stuff I learned, in any scene. Juilliard taught me a lot.
My imagination was really hyperactive as a child and animated. I had those elements, but as you live and go through the hardships, it fades. 'Pete's Dragon' reawakened that. It rekindled the feeling of the invisible dragon.
Sometimes when you're doing fantasy, that's the most important thing, is to be a blank space, because the last thing you want to do ever as an actor is judge yourself or the character or the movie that you're in. You want to just play the moment as best you can. Juilliard helped me do that.
A lot of actors will complain about the green screen work, but what you do get to do is what you probably should have learned, from the beginning, on stage. You have to create it in your mind and really go there to bring it. Part of the fun of acting is those challenges. You feel goofy, but sometimes that's a good feeling.
Everywhere you turn in New Zealand, there's something exciting to do. It's the gem of the world. It's so far away from the madness, and so you get that element. It was just stunning.
Then my extended family, there are preachers and evangelists, former priests. So I have quite a bit of history with Church, religion and spirituality.