I never look for music by genre. I look for an artist who puts a dependable trademark on things. Like Elvis Costello - he's a great songwriter who presents his songs in a number of contexts. I feel the same about my own music.
It would be really great if someone would invent a new Internet with the specific purpose of not making money off of it, but making it what it originally was, a free marketplace of ideas, and there are still aspects of the Internet that are that. Wikipedia, essentially, is still the bastion of the original ideals of the Internet.
Sometimes being a musician has little to do with viability and everything to do with survivability. Many musicians start out great, and they wind up out of the business in 10 years.
In a way, I created Utopia as a platform for me to become more of a guitar player and less of the kind of balladeer that people were taking me for.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
If I have an opportunity to do something safe or something challenging, I'll often choose the latter. Sometimes, the objective is to submerge my viewpoint with the artist.
