Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.
My one guiding rule for success in the film world would be, be careful of your friends.
After working so hard in 'PKP 1,' I made a space for myself in the film world. Why would I give it away to somebody else? Shouldn't I be benefitted from that image if I have created something for myself?
For a very long time, I wasn't thought of as anyone with any credibility in the film world. Everybody is tramping through the swamp every day in this business. 'I'm worth it, I'm credible - believe me, give me a shot!' That's the way I feel on a consistent basis.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
I felt more comfortable in TV than in the film world where the players were more erudite and intellectual.
From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.
I'm a pretty normal person outside of the film world. It doesn't really affect me when I'm at school or with my mates.
I guess I'm growing up in the film world.
When I left college, I though that I would be immediately embraced by the film world and instead found myself sitting in a squat for three years not knowing what to do with my life.
While Hollywood has had a huge influence on the Indian industry, Bollywood and its actors, too, are garnering a lot of attention in the western film world.
I absolutely refuse to accept the fact that any country in the world goes into a kind of film-making crisis. What happens is they lose confidence, they lose focus and the young film-makers of any particular generation can very easily get lost in that mix. It's happened in Italy, happened in France, happened in the U.K. during my lifetime.
What might the world look like if we took some chances on the film-makers we might be afraid of?
I think women don't grow up with the harsh world of criticism that men grow up with, we are more sensitively treated, and when you first experience the world of film-making you have to develop a very tough skin.
Wherever I am in the world, if I get free time when I'm filming I always hire a car, take to the road, drive for miles and explore.
I like to work with artists from around the world. There are so many new inspiring filmmakers.
One of the nice things about the world of filmmaking is that you make friends in the business. Sometimes directors feel a script needs something, but they're not sure what it is, so they show it to a friend; if the friend is a writer, he ends up kicking around with that script for a while.
Acting is always at the core of my life, but I'm also excited about producing. I'm excited about directing, and I have a life in the filmmaking world, and so I want to explore all aspects of it, not just the acting, but acting is the root.
I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them.
The key for me with 'Star Wars' is to stay in their world. Don't get in the way of what is already known and what works. I think of the basic nature of the filmmaking process that worked so well for the original trilogy. No stylistic flights of fancy for the sake of showing off. Tell the story, get the shot, get the performances, and move on.
