I like the fact that my work in Ghost is famous, and people know it, and we have our crowd. But I am not as antsy about getting recognized on the street as I might have once been.
I'm not afraid of hard work. I like it! It's the other bit - the not working - I find more problematic. If I'm not busy, I just get antsy. I've been this way since I was a child. Sitting still is like torture for me.
The anxiety I get more when I'm not working. So actually work, for me, takes away my anxiety, and doing live TV, in that moment when you're consumed by something else, it takes away all of my thoughts. It distracts you!
For fifteen years, I was a teacher of youth. They were years out of the fullness and bloom of my younger manhood. They were years mingled of half breathless work, of anxious self-questionings, of planning and replanning, of disillusion, or mounting wonder.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
There are lots of reasons for that gap between men's and women's wages but to me, the big one is the work-family issue. Trying to juggle children and a job is tough under any circumstances, but especially if you're shooting for the kind of career that involves long hours at work and being on call 24-7.
At any given moment, it's not about where we are supposed to be. It's about what work, which relationship, what decision I take. Every moment counts. Every decision counts. And if we look at our decisions in life as such, we stop battling and start winning.
I have always had trouble paying attention. When I was supposed to be at work, I'd be doodling. But then when I was home, trying to draw, I would be working on math problems. I never end up doing exactly what I should be doing at at any given time.
I can deal with people who watch me on stage but I am not good in communicating with people any other way than through my work.
The idea that to make a man work you've got to hold gold in front of his eyes is a growth, not an axiom. We've done that for so long that we've forgotten there's any other way.
I've always tried to work hard. I'm not trying to show anybody up or do something spectacular for attention.
I was just like that anyhow - wherever I used to work, jobs-wise, Iād always be in the canteen talking to people and laughing and everything.
There may be people who have more talent than you, but there's no excuse for anyone to work harder than you do - and I believe that.
I'm just learning who I am and how relationships work and how to make them function. No different from anyone else.
People who have been hardworking, tax paying, those people ought to be given an opportunity to be on a track that leads towards citizenship, and if that happened, then they wouldn't be prey to the employers who say, 'We want you because we know that you work for a salary we could not lawfully pay anyone else.'
I think I've got my business notions and my sense for that sort of thing from my dad. My dad never had a chance to go to school. He couldn't read and write. But he was so smart. He was just one of those people that could just make the most of anything and everything that he had to work with.
I would encourage you to set really high goals. Set goals that, when you set them, you think they're impossible. But then every day you can work towards them, and anything is possible, so keep working hard and follow your dreams.
Anytime my work can coax bodily fluids out of someone, I'm happy.
I work with my brother Finneas, and he produces all of my music in his little bedroom in our house. We actually tried renting out a studio for a month when we were producing 'Don't Smile at Me,' but it was really hard there, and we ended up just doing it at home anyway.
Working hard is very important. You're not going to get anywhere without working extremely hard.
