The trouble is not that schools don't work; they do. They're excellent machines for achieving historically accepted purposes. In suburban schools are children of the rich, who grow up to privilege and anesthetic oblivion to pain - and who then use the servants produced by ghetto schools.
Married sex is like being awake during your own autopsy. It is root canal work without anesthetic.
That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.
From beginning to end I worried that Ang Lee wouldn't be satisfied with my work. So I worked as hard as I could to earn his trust, because you only get a chance like this once.
I had attraction to work with Ang Lee. I wanted to work with him.
I think that someone is watching out for me, God, my guardian angel, I'm not sure who that is, but they really work hard.
My father constantly reminded me that he named me after Angela Yvonne Davis, a scholar and activist who was well known for her work in tandem with the Black Panther Party. That felt like a purposeful, beckoning call to engage in strategic resistance and to fight for the oppressed.
Working with Angela Bassett is by far the best. I've watched and admired her for years. I'm very intrigued by her work. She's so cool. I still call her 'Mom' when I see her.
What is invaluable about Angela Davis' work is that she does not limit her politics to issues removed from broader social considerations, but connects every aspect of her scholarship and public interventions to what the contours of a truly democratic society might look like.
I confess I've got a yearning to go to Los Angeles, but I can't work out if it is because a lot of British actors seem to go or because there's this perception that the bottom has fallen out of British drama, so therefore, it's the place to head for.
My role models are Madhuri Dixit and Kajol. Both actresses have done a wide variety of roles. That is something I wish to do. On the other hand, I also want to be like a Hugh Jackman or an Angelina Jolie because of the lives they have outside movies. Because of the kind of balance they strike between their work and life outside of it.
Angelina Jolie is just an extremely talented, generous, nice person to be around and to work with.
Of course, there are those critics - New York critics as a rule - who say, 'Well, Maya Angelou has a new book out and of course it's good but then she's a natural writer.' Those are the ones I want to grab by the throat and wrestle to the floor because it takes me forever to get it to sing. I work at the language.
In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle.
The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
In Angola, I visited 'HeroRats' that have been trained to sniff out land mines (and, in some countries, diagnose tuberculosis). In a day, they can clear 20 times as much of a minefield as a human, and they work for bananas!
I realized I need to work. I need to be creative. As much as I have angst and anxiety, when I'm idle, it's even more. I have to keep moving. Otherwise, I catch up with myself.
A good way to take a baby step into the world of animal rights is to make a list of small things you can do to help your issue and work your way up to the big things. Make a promise to do one thing on your list each month.
Most of the time one is discouraged by the work, but now and again by some grace something stands out and invites you to work on it, to elaborate it or animate it in some way. It's a mysterious process.
We often forget that everything we see, animate or inanimate, is a visual manifestation of the work of our invisible God. We have become so accustomed to trees, mountains, sky, air, water, flowers, animals, vegetables and people that we no longer see them for what they are - God's work.
