When I'm on set, I'm on set, and I focus and get the work done. Then when I'm done, I kind of have this button that I switch. I'm constantly switching this button and putting on different masks, and that kind of keeps me organized.
I wanted to have the opportunity to travel to Vietnam and Sydney, and have the chance to work there.
I'm a watch guy - to me, they symbolize hard work and determination.
On television, I have watched countless athletes from different countries, sports and Olympics stand proudly at the top of the podium and shed tears. They symbolized the Olympics for me because Olympic medals represent all of the hard work and sacrifices made by the athletes as well as the people who helped them reach the top of their sports.
Most women who work and have a career and a family sympathise with one another because they know just how difficult it is to try and manage it all and sometimes if the pressure's too great and you can't manage something has to give and it's either your career or your family.
All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.
The synth helped us in that it meant you didn't have to be a traditional four-piece band and basically, you didn't have to work too hard.
There's a wealth of talent that lies in all of us. All of us, including those who work in schools, must nurture creativity systematically and not kill it unwittingly.
We're doing a lot of work in schools getting girls to play football, breaking down any taboos there might be, and we're seeing them get interested and bring their families along, where they have such a good match day experience that they're coming back.
Many anthropologists work with a concept called embodied knowledge - tacit, nonscientific knowledge - and look for ways to incorporate such information into product design.
When I was younger I probably didn't understand something basic about tact, but I think it kept faint-hearted people at arm's distance and that's not such a bad thing, because life is short and I know the kind of people I want to work with.
Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in.
In tactics and training, we do more with Conte. We work a lot of tactical positions, and we know exactly what we have to do on the pitch, where I have to go, and where the defenders have to go. We know exactly what to do.
When you just work tactically, in pure football sessions, you can see the way they can think football.
I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.
It's my job, first and foremost, to take care of the football. Guys work their tails off. That's Football 101. From the time you play youth ball to high school, college, pro, every level, that's the starting point for every quarterback. You have to take care of the ball.
Singing makes me so happy and feeds my soul so much that I almost wouldn't want it to get tainted and become this work thing.
The reason I make more films is that I work all the time without taking a break, and I enjoy it.
When I begin to feel tired and do not want to work anymore, I see my members next to me working so hard without taking a break. When I see the members like that, I end up thinking a lot. Because we can see each other grow and hold each other accountable, we all improve together.
I interact with my fans mostly through Twitter, and I like to do livestreams about every two weeks, where I say, 'Ask me anything!' and I just sit there with my computer for 15 minutes, taking a break from work, and answering their questions.
