The huge, turgid work of history, sinking under the weight of its own 'politically correct' thesis and its foot- and source notes, is not the British way of writing history, and never has been.
'Dances with Wolves' really started the movement, using subtitles for Lakota Sioux and showing Indians as interesting, complex people - not just the enemy - and giving a lot of unknown Indian actors work.
I make homemade juices with whatever is in season. I rarely have coffee, but I drink lots of tea. I start with a pot of tea at home and sip on herbal teas throughout the day at work.
Today, we live in a time of threats like few others in recent memory. During anxious times, it can be tempting to follow the siren call of the angriest voices. We must resist that temptation. No one who is willing to work hard, abide by our laws, and love our traditions should ever feel unwelcome in this country.
A Nicklaus Design golf course is done by the guys in my company that I work with, that have been trained in my vision, and they do what they think I might do. They might come in the office and ask me questions and I'd certainly answer their questions, but I'm not involved in the site visits or anything else.
There's a motherhood penalty because we've been long taught things that are stigmatized about motherhood. As workers, we don't want to talk about our kids at work. We're afraid to, or that when we leave at 5:30 to relieve the sitter we're somehow going to be diminished.
I'm always worried about the sitter - are they cold, are they hot, are they comfortable? Photography today is so accurate and so good that it's really so much easier just to take photographs and work from them.
As a media artist and filmmaker, I'm constantly considering the role of situational context when creating my work.
I still work out most days. When I do it, I go full blast five or six days a week, two to three hours a day. I enjoy it. It's therapeutic for me.
I certainly can't complain. I work six days a week, if not seven, and eighteen hours out of twenty-four - fortunately, with a great deal of pleasure. Why? Because I only do something if I want to do it; I need to feel a desire, to find pleasure in moving forward, creating, moving, inventing.
I didn't make 'The Sixth Sense' because I thought the ending wouldn't work!
Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
To make money I picked up work as a busboy, valet parker, skateboard shop employee.
So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers.
Pairs skating and singles are two different things. Although some skaters have achieved this successfully, it is a very difficult transition. You're looking at double work.
I work all day, do research, sketch my ideas, prepare for performances.
When I work as an art director, I don't ask to see sketches from illustrators or photographers. I give them a basic idea, and then I say, 'Send it to me, it'll be fine' - I get out of the way.
I always felt like I had something to prove, like I had to work twice as hard to make sure I got it. I knew I didn't want to be a good skier. I wanted to be the best.
The Open Skies issue is something that's ongoing and we understand that there are issues in Australia that need to be sorted out. It's something that I think over time there's an opportunity for us and we'll work on that in a progressive way.
There's so many guys skiing so fast right now that you really have to be willing to take a lot of risks if you want to give yourself a chance to win. I'm prepared to do it; it's just a matter of if I can make it work.
