I'm not someone who enjoys long talks, long rehearsals. I'm very technical: I tell my actors, you come in, you sit down, you pick up a coffee, you look here, you say the line. We try it with the cameras rolling, and if it doesn't work, we adjust it until it does. It's very simple.
I started as a straight actor. I'd go onstage, and I'd think, 'Wow, this is the only thing I want to work really hard at. I will rehearse fifty times on a single scene; I don't care - I'll do it again.'
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehearsing.
The thing that really makes me happy is the real work and rehearsing and creating the character and the process of making the movie. Hollywood's not real.
We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
I have undertaken vengeance. I want Liberty and Equality to reign in Saint-Domingue. I work to bring them into existence. Unite yourselves to us, brothers, and fight with us for the same cause.
Again, both literature and philosophy work by appealing to certain reigning idols.
When you buy into the cultural idea of what's acceptable and unacceptable, you reinforce negative stereotypes and prejudices. That wouldn't work for me. I don't love to give advice to anyone, because we all have to make our own choices, but I'd want to live my life in truth.
If you're a short-seller, that's a cacophony of negative reinforcement. You're basically told that you're wrong in every way imaginable every day. It takes a certain type of individual to drown that noise and negative reinforcement out and to remind oneself that their work is accurate and what they're hearing is not.
I've felt that if you dwell too much on your errors, you're dealing in the negativity of things. I don't like that. I'd rather work on the positive reinforcement, the things I did well.
All white-collar work is project work. The single salient fact that touches all of our lives is that work is being reinvented.
Mr. Koons's work has always inspired architects, which I think is very interesting. I think he is an artist who has reinvented himself so many times and reinvented so many different series.
I saw 'Hamilton' when it was at the Public, and I just wept profusely in my seat because this is a form I love deeply, and to watch it be reinvented in such a genius, gifted way and executed by such a brilliant company of human beings, I was overwhelmed with not just appreciation for the piece of work itself but for the possibility.
Shane Douglas's work in the first 11 months as The Franchise of ECW was so groundbreaking. He made people forget about his on-air persona in WCW and successfully reinvented himself as The Franchise in ECW.
For the last third of life there remains only work. It alone is always stimulating, rejuvenating, exciting and satisfying.
Relapse happens, especially when you're dealing with folks who are frankly the least likely to succeed based on their own pasts and difficulties. We can work with the most likely to succeed. I'm not interested in that.
In a soundtrack, you are in a way always relating with... a combination of different languages. It has to have the same path and same rhythm. Sometimes it's a polyphony of languages that have to work together in some way. With musical projects alone, you can be more free.
Don't think about work in your bedroom or relaxation area.
You may find it more relaxing to work with people just like you, but entrepreneurship is about finding new approaches to problems, and discomfort can be an important part of that process.
