I left school and couldn't find acting work, so I started going to clubs where you could do stand-up. I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.
When I went home from Juilliard, I couldn't find acting work.
I want to work in a bank, definitely. Hopefully, my acting career will go well. But if it doesn't, I go to a bank. If it does, then even at the age of 40, I will still go to a bank, but I have to work in a bank, because I'm really fond of taxation and accounts and investments and all of that. So I will do it. At some point, I will, yes.
I work with my instincts. I don't have a process that I learned in an acting class whereby I break a script down or whereby I do a certain kind of research.
Most of my friends all tend to work in restaurants part time, doing acting classes on the side.
There's not a day that I don't work on vocals, have vocal coaches, go to acting classes, read books.
To be a great actor, you really don't need to go to acting school or learn dance classes or work on your body. You have to be intelligent. You have to draw on a lot of emotions that you go through in life that you can tap into once you work on a set.
To be honest, there are so many things I learned in acting school beyond the method; it was a safe place to practice. So acting school was about exercising that acting muscle and doing it every single day - and having people tell you that you're bad every single day! Which pushes you to work even harder.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
What a piece of work is a man, how noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god.
The marketing department is really an important part of getting an animated film to work. If the people running it are used to selling live action films and the hard rock music and the sex and all those things... Anything outside that, they just don't know what to do with it.
A live action movie is work, and an animated movie is you showing up in your pajamas once every three months, or in my case, just a splash of baby powder. It's not any kind of heavy lifting.
I would just love to do something where I'd have to train and work really hard and do one of those types of action movies, which a lot of women are doing now.
I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.
Our kind of research might be one of the first projects to go. Our work is not urgent; it's not the cure for cancer or Alzheimer's. But we have a way of understanding human life that you can't get anywhere else, and it lays the foundation for important, actionable things.
Men of lofty genius when they are doing the least work are most active.
When you work out or you're doing anything active, it's more fun as a group. You may lose track of the time, and the next thing you know, you're working out for two hours because you're having fun.
I think I'm one of the most patriotic people that I've ever encountered in America. I consider myself a bedrock patriot. I participate very actively in local politics, because my voice might be worthwhile. I participate in a meaningful way - not by donations; I work at it.
When taxpayers are subsidizing low wages, people should be aware of that. We're subsidizing an economy. We're not subsidizing people. They are doing a hard day's work. When we're not rewarding work actively, there's something wrong with the system.
Actually oddly enough, I think my work, the activism, will be forgotten. And I hope it will. Because I hope those problems will have gone away.
