I watch films that inspire me and make me want to go to work the next morning, that really push you and motivate you. So in that aspect, I look up to a lot of people.
I love Nic Cage. He was so much fun to work with.
Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was very difficult. You couldn't get her on the set; she didn't know the words.
There's a lot of comics writers out there whose work I appreciate and who are nice guys. I really want to work with guys I really respect and enjoy.
I work a lot, and it's kind of like, you meet people, and you just click. It's not like I'm looking at something and thinking: 'South Park' - how do I get on that?' I just became friends with those guys first. They're nice guys.
One of the things I've learnt is not to depend on there being a woman in your life to make it work. I love my work, I love my children, I've got wonderful friends, you know, I have a nice life.
'Obvious Child,' the short, had a nice life online and a great festival run, but the short and the feature still stand apart from everything else I've done. I play a woman who you might meet in life. My other work is much more heightened.
I wake up at 4:15 A.M., get some coffee, turn on the news, see what's happening, go clickety-clack on the web to see what I missed overnight. Then I go to the gym, around 5:15, and I do what appears to be a very light workout, but who cares. I'm socializing with other nice people at the gym. Then I go into work, and I'm really awake.
You can be a pretty face, but if you're not a nice person, it just doesn't work. I'm not traditionally a beauty, but apparently people think I'm all right. If you're a nice person, it definitely helps.
There is nothing wrong with having nice things, but when you are trying to buy nice things to be happy, you are going to hurt. It's not going to work.
A lot of hard work is hidden behind nice things.
The industry doesn't usually say nice things about my work. My films take a while till they are accepted as good and I think 'Yennai Arindhaal' too will go through that phase.
Even those among us who are lucky enough to love our jobs would have to admit that at least part of the reason we work is to earn money. In between all this work, we like to eat out at restaurants, go on trips, buy nice things, not to mention pay rent and meet the cost of living.
I did some work on Beyonce and Nick Minaj's 'Feeling Myself.'
I don't really get to see a lot of other comedians, because I work with the same people all the time. The guy I really like is Nick DiPaulo. I love Nick DiPaulo, but again, he's a buddy of mine. But I liked him for a long time. I liked him before he was a buddy of mine.
If you take the approach that you want to scrape every last nickel off the table, that'll work one or two times, but after awhile, your reputation will precede you.
I took my job for Nickelodeon very seriously, and back then, it wasn't certainly as big of a network as it is now, culturally, and people my age didn't know much about it. But I loved my time there. I really put everything I had into doing 'Guts,' and it actually taught me a lot about how to work really hard.
I did a couple quick things with Nicole Kidman, and I really loved that. She was a really cool person to chat with and had a really lovely presence on set. I'm a big admirer of her work. It's amazing the volume of work she does.
I have a niece now, and it makes me want to be better for her, just to show that there's a big wide world outside Toxteth, and you can imprint yourself in any one of those places as long as you do the hard work and have the desire.
The philosopher Friedrich Nietzsche once wrote that when you look into the darkness of the abyss the abyss looks into you. Probably no other line or thought more inspires or informs my work.
