Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
I work to Glenn Gould in the morning and go to sleep listening to Parsifal.
When I was first starting out was also when I first started really paying attention to the Oscars and stuff like that. And I remember thinking, 'Wow, everything is great for women in Hollywood, because Meryl Streep, Glenn Close, Jessica Lange, Sally Field - they're all doing incredible work.'
Glenn Close is a living icon. You look at the work, and I think it's wild, because she thinks some of her best work was in Dangerous Liaisons and that's what I believe as well.
In TV, when you're doing guest roles, you're gliding into a zone where people are already very comfortable. They go in and go to work every day. You're coming in, and it's a brand-new environment, so you have to get it... and then you're gone again.
My family and I want to start our own organization to work on global warming and a couple of other things.
The slogans of globalisation are 'Get on your bike' and 'The world is flat.' People who want to get on have to be willing to move, often and unhesitatingly, at the behest of their employer or to seek work.
Into The Gloss is buoyed by the people on it, the people who read it and discuss it, and the people who work on it.
The creation of 'Into The Gloss' took less than a month. Glossier took twelve months and about a million dollars to hire the team, work with the chemists, order the inventory, get an office - you know, the whole thing.
As a breed, I think artists are never 100% satisfied with their work, and we will always want that little bit of extra time to put the final gloss on it.
I'm a businessman. I bring my bat and glove and attache case to the office and go to work. I don't give a damn if the other workers at the office like me or not.
I think women's wrestling has had a hard time because of GLOW. When GLOW came out, it looked like somebody was ripping off the male industry. Everybody made fun of it. WOW is a great product. It's produced right. It's got a little story line, and it's got good-looking girls who can work and can talk.
I don't think anyone leaves Las Vegas rejuvenated, their skin shining, their bank accounts glowing. No one leaves Vegas, like, 'I didn't make one mistake. That felt great. Back to work.'
My dad got me an iMac, and I spent my whole childhood with my eyes glued to it. I was technically savvy and knew how to make it work for me.
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
I go home, and I'm a blob. I just lay there and don't do anything - lay by the pool with the other husbands while the wives work. It's fantastic. It's really good. That's kind of our life at home.
The musical differences are obvious: the Go-Go's are more punk, while my solo work is more soft pop. But they're equally as fun and enjoyable for me. I couldn't possibly put one over the other.
God has a plan for all of us, but He expects us to do our share of the work.
I think I just learned that God has a plan for all of us, and I work hard and do all the things I can, but at the same time, His will is perfect; and me trying to control it, it's not going to work.
You can't just say, 'God help me,' and he's there. It takes a little bit more work on the part of the individual, I think.
