One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
I'm a great believer in the principle of try it and work it out. If a gadget is designed well, you can easily work out how to use it. But if you can't, it isn't shameful to read the instructions.
The perfect gadget would somehow allow me to fly. Isn't that what everybody wants? It would also cook a damn good microwave pizza. So while in flight you had something to eat - an in-flight meal. Where would I go? Well, nowadays, it would probably just take me to work a lot quicker.
I have all the tools and gadgets. I tell my son, who's a producer, 'You never work for the machine; the machine works for you.'
I think the poetry that came out of Belfast, and especially the Queen's University set, in the 1970s and '80s - you know, Paul Muldoon and Seamus Heaney, Derek Mahon and Ciaran Carson - that was probably the finest body of work since the Gaelic renaissance, up there with the work of Yeats and Synge and Lady Gregory.
When you're around me and really see that all I do is live and breathe for my work, it's not strange, it's just Gaga.
I am thrilled Lady Gaga has helped to teach her audience about long durational work and performance art.
The end of labor is to gain leisure.
Back in 1960 at Christmas time, I did work loading and unloading boxcars for Railway Express. That was a kind of weight training that helped me. I weighed about 160 when I started. I began to gain weight and kept right on gaining until I reached 195 pounds.
High school, going into my junior year, I kind of had the idea I was going to be the starting running back. I was a little smaller, so I decided to gain weight and try to get faster. I wasn't a fan of the weight room. I thought just the God-given talent would take you where you needed to go. Now I understand that you need hard work.
I was low-key abusing myself. The idea of being skinny became something that was most appealing to me. Even if you watch 'The Real,' from season 1 to season 4, I was always 100 lbs. I started to really work hard to stay petite and to not gain weight and to stay sample size.
It feels great to know that more people are finding work and gaining the experience, not to mention self-confidence, that they need.
Evil gains work their punishment.
I always thought, 'That's just the way you do it.' You work as hard as you can for as long as you can, and the small gains you make will eventually pay off.
When you try to do something ten per cent better, you tend to work from where you are: if I ask you to make a car that goes 50 miles a gallon, you can just retool the engine you already have.
I was a professional gambler. When I lived in London, there were a couple of years when I didn't really earn money doing anything else. I mean, I did other things: like, I made work, and I was working with Derek Jarman at the time, but the way I made money was putting money on horses.
My life is unrecognisable compared to what it was - 'Game of Thrones' has opened doors that were never there before. But it can be dangerous to see it in those terms, I think. It's best to take it as it comes and work as hard as you can, and hopefully the other things fall into place.
When you seek to do something, if you don't know the whole game plan, you're usually going to work against yourself.
There was never a game plan to be on social media. Like most things in life, if you work consistently and at your pace, then things fall into place.
When I don't have a fight scheduled, training is even more fun. I can come into the gym and work on stuff that isn't generated for a specific game plan. I can just play around with it and have a good time. I never want to get to the point where I'm sick of it.
