It's been fun doing interviews with the other astronauts, getting to hear: 'Oh, that's how he explains it' or 'That's how she thinks about it.' We work together, but we don't necessarily share all those thoughts or ideas.
It is an immutable law in business that words are words, explanations are explanations, promises are promises-but only performance is reality.
So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
I believe that modern slavery is the most outrageous assault on the rights of an individual. It is something that touches me deeply because I grew up in rural Brazil and could see first-hand how poverty forced people to work in harsh, exploitative conditions.
I have a hard time getting motivated to do something that seems like a career move. I've gotten into vague trouble with my agents for turning down work that I thought was exploitative.
The competitive pressure to produce, buy, and sell to our global multi-national companies is so intense that contractors in supply chains are motivated to pay low wages, intensify exploitative conditions, keep workers fearful with insecure work contracts, or simply sack workers who have formed a union to fight back.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
You stop planetary exploration, those people who do that extraordinary work are going to have to go do something else.
I wanted to explore the values that are at work, underpinning my life.
As every parent knows, children begin life as uninhibited, unabashed explorers of the unknown. From the time we can walk and talk, we want to know what things are and how they work - we begin life as little scientists.
But I love the idea - whether it's in my work or where I live - exploring new frontier, and I like putting myself in strange places and trying to survive and figure things out and gather up an infrastructure. I like knowing that I could figure out a way to live anywhere.
We're quite volatile as individuals, but that doesn't work exponentially when we are together. Relationships are about eating humble pie.
I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.
I like the idea of infiltrating an area that is not really exposed to me or my work.
WikiLeaks is exposing our government officials for the frauds that they are. They also show us how governments work together to lie to their citizens when they are waging war.
I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.
There is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds.
But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It's like anything else. It's a muscle you have to exercise. I write more now than ever.
When I was going to school and under the influence of Abstract Expressionism, I believed that if you had a give-and-take rapport with your work that it would be you, and that would be all that was required. It would be honest, and the core of your personality would come out if you responded to position and contrasts in your work.
I'm not an Abstraction Expressionist, but I think dedication to paintings comes from an early interest in that work.
