I have worked on PCs and on Macs and, while I have my preferences, I don't find it crippling to work on one rather than the other.
I no longer do a film for the wrong reasons. I have to be convinced ethically and morally. Both the director and I have to be on the same page. There are just five songs in most films these days, and they have to be amazing. There has to be a twist in the screenplay. The editing has to be crisp. Your hard work should show, but effortlessly.
Outlook 2003 did create the idea of search folders and the whole Longhorn philosophy. You can see it at work in search folders, where instead of having to drop things into individual folders, and things exist only in one folder, you create these search folders and you have the criteria for the search folder.
One of the things I try to work with white people on is letting go of our criteria about how people of color give us feedback. We have to build our stamina to just be humble and bear witness to the pain we've caused.
A military is built to fight. Our military must regard combat capability as the criterion to meet in all its work and focus on how to win when it is called on.
I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
I don't read the reviews because it somewhere affects my work. If some critic doesn't like a movie, I can't keep his criticisms in mind the next time I am making a film. Even if someone writes a great review about my film, I don't want to be affected by it.
When you question this war on poverty, you get all the criticisms from adherents to the status quo who just don't want to see anything change. We got to have the courage to face that down, just as we did in the welfare reform of the late 1990s, and if we succeeded, we can help resuscitate this culture and get people back to work.
I understand and accept criticisms of my work, provided they are done with professional criteria and arguments.
I told you I'm not going to criticize my successor. I'll just tell you that there are people at Gitmo that will kill American people at a drop of a hat and I don't believe that persuasion isn't going to work. Therapy isn't going to cause terrorists to change their mind.
Work hard for what you want because it won't come to you without a fight. You have to be strong and courageous and know that you can do anything you put your mind to. If somebody puts you down or criticizes you, just keep on believing in yourself and turn it into something positive.
Everyone has their opinion, and if no one criticizes, how will I improve my work?
According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
I like Cronenberg's early work; his '80s films had all these weird, amorphous flesh objects in them.
I guess I'm a semi-retired person. I work out of my house. I'm a skier in the winter - downhill and cross country. I have a place in Montana for the down-hilling.
They believed you can't mix rock, country, and rap, and that crossover is dead. I always knew it would work. And it will always work as long as you're really into it and like what you're doing.
People who work crossword puzzles know that if they stop making progress, they should put the puzzle down for a while.
