Ultimately, I'd like to create a body of work where every album has its own personality and a reason to exist within the catalog, not just 'more of the same.'
You can browse to your heart's content but it's hard work and not easy on the feet unless you do it through catalogs or the Internet, and I like to touch and try on the things I buy.
I'm the catalyst for the downfall of the Blairites, the Clintonites, the Bushites, and all these dreadful people who work hand in glove with Goldman Sachs and everybody else, have made themselves rich, and ruined our countries. I couldn't be happier.
In 1906, just as we were definitely giving up the old shed laboratory where we had been so happy, there came the dreadful catastrophe which took my husband away from me and left me alone to bring up our children and, at the same time, to continue our work of research.
The catastrophic humanitarian consequences of any use of nuclear weapons require that it be treated as a top priority. Disarmament will work better than any alternative in reducing the risk of use.
Individuality is founded in feeling; and the recesses of feeling, the darker, blinder strata of character, are the only places in the world in which we catch real fact in the making, and directly perceive how events happen, and how work is actually done.
If you love your work, you'll be out there every day trying to do it the best you possibly can, and pretty soon everybody around will catch the passion from you - like a fever.
You cannot be happy with your family while being personally unhappy with your work. It's a Catch-22 kind of thing.
I was eighteen when I first read Joseph Heller's stunning work 'Catch-22,' and was at that time close to being drafted for the fruitless and unenlightened war in Viet Nam.
I wanted to work with Cate Blanchett. She is one of the five greatest movie actresses of her generation.
My dream is to work with people like Meryl Streep, Michael Fassbender, Christian Bale and Cate Blanchett. To me, those are true storytellers - genuine people who have stories to tell and make incredible films.
I want to categorically say that whatever I am, I have made a space for myself in Indian politics and media out of my own perseverance and hard work.
Nobody has approached me about an offer to work in India. However, I can categorically state that if they did so, I would refuse immediately.
We fitted, amusingly enough, into none of the form categories of 'The Young American Couple'... security to us is in ourselves, and no job, not even money, can give us what we have to develop: faith in our work and hard, hard work, which is Spartan in many ways.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
The Left only worries about people who don't want to work; they could care less. They cater more to people who are here illegally, and they care more about the feelings of countries that would love to see us wiped off the face of the Earth than they do hard-working Americans. It's ridiculous.
It sounds really cheesy, but I've just really been so focused on making sure that I am nice to everyone that I work with and making the effort to get to know the people on set, whether it's the catering crew or the famous photographer.
I used to work at a catering hall in Hauppauge. Anybody who works as a server in a catering hall, more power to you, but I wanted to make music.
Once you've been on tour six, seven years, you get an idea of what works and what doesn't work universally. There will be some crowds that we just can't play a song, but we've got 90% of a show that we know is going to be a hit with the Lupe Fiasco fan. I think the catering has already been done.
I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.
