Kissing in the movies is a real art - figuring out where to put your heads so it looks good on camera. I have had other co-stars who couldn't work that out, which made it a lot harder for me.
The writer must be a participant in the scene... like a film director who writes his own scripts, does his own camera work, and somehow manages to film himself in action, as the protagonist or at least the main character.
When you work with kids, especially, you want to be ready to turn the camera on at a moment's notice.
My work is made on lines similar to those of a film production. A lot of my work is kind of bureaucratic, endlessly phoning up people, trying to find the cameraman and the lighting man, because I am a total technology-phobe, quite helpless with equipment.
Cameras help to minimize collateral damage, and very often, without a camera a missile cannot fire. Certainly, without a camera a drone can't function, which means that the very ways in which we wage war are determined in part by how cameras work and whether they work at all.
I've seen some of James Cameron's work, and I've got to go 3D.
It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
It's always been my expectation to be the top guy, the face of the company, the one with all of that responsibility. But that should be everybody's goal. I didn't get into this to just be in the middle of the pack. If you want to do that, go work in a different line of work. This isn't the place to camouflage yourself.
I ain't going to say everything I touch turns to gold or camouflage. I've got to work hard to keep what I've got. Nothing comes easy to me. It never has.
We say there are people who have worked in campaigns who say that they have lost some - and we call those folks operatives, managers, strategists, consultants; and then there are people who work in campaigns and say that they have never lost, and we call them liars.
I have high expectations for the people who work for me. I figure that if they work really hard and do a good job on one of my campaigns or in my office, that experience will serve them well later on.
But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can.
I simply loathe the crude 1960s distinctions between commerce and art. For me, Warhol and pop obliterated all of those separations - that was the whole point of the Brillo Boxes and Campbell's Soup Cans. And believe it or not, in 2009, moronic journalists are still saying to me, 'Your work is so commercial.'
I feel like movies, if there's any kind of budget whatsoever, there's so much sitting, and I really like to work. Otherwise my blood sugar just drops, you know, six hours sitting in a camper.
The wok is one of my favorite things to work with when I'm camping. Outdoor cooking is not just about hot dogs and hamburgers. There are so many styles of food you can make.
The wok is one of my favorite things to work with when I'm camping.
There are really four 'headlines' for me: honesty, integrity, hard work, and what I call a 'can-do' attitude. You could call that 'can-do' attitude optimism, but it is not Pollyannaish optimism. Rather, it is a 'we'll figure it out' type of mentality.
I think I'd work on making sure that Canadians have opportunities to find good jobs, to grow, to gain stability in terms of pensions. The reality is that Canadians don't feel that our economy is working for us.
Once Canadians no longer believe that there is any good in politics, they no longer feel we can work together to solve the challenges we're facing, and that is my fundamental motivation: how do we work together as a country to solve the big challenges we're facing.
By and large we have got to find the good leaders to work with to make sure that we build the strength in these communities. Simply issuing edicts from Canberra isn't going to solve issues on the APY lands.
