I'm fascinated by how much we, as women, have to subjugate and hide ourselves in order to get on in the world.
As a feminist of Egyptian and Muslim descent, my life's work has been informed by the belief that religion and culture must never be used to justify the subjugation of women.
Subjugation of women and of the Earth are one and the same.
It isn't always on the front pages, but the horrifying mistreatment and subjugation of women around the globe is very much worthy of more attention.
'The Handmaid's Tale' takes place in the near future, a dystopian future, and is based on the book by Margaret Atwood. It takes place in what was formerly part of the United States at a period of time when society has been taken over by a totalitarian theocracy. It's about the women who live in subjugation.
The struggle to conquer oppression in our country is the weaker for the traditionalist, conservative, and primitive restraints imposed on women by man-dominated structures within our movement, as also because of equally traditionalist attitudes of surrender and submission on the part of women.
We're coming into a new generation of women where there's the submissive woman, and then our reaction to it is, 'No, I'm a man, too, and I'm masculine,' and then we fight against it, which isn't the answer, either.
There's a certain way people are used to seeing nude women, and that's in a submissive, coy pose, not looking at the camera. And in this poster, I'm looking dead into the camera with no expression on my face. I think it freaks a lot of people out.
'Al Jamilat' is not just feminist. It's an album with songs that feature women: women who are in love, rebellious women, political activists, women who are more submissive, women who are in charge.
I've noticed in the Caribbean culture, the women aren't submissive - they're very fiery.
I submitted a bunch of names. Nia is, like, a Samoan girl name that a lot of women have. Jax is from 'Sons of Anarchy.' I was super into Jax, so I threw the name Jax in there, and it came about that way.
The Great Depression of the 1930s saw more American unmarried women working from nine to five, mostly in repetitive, boring, subordinate, dead-end jobs. But the number of working women doubled between 1870 and 1940. During World War II it doubled once again.
Women need to be empowered through the strongest tool - education. They don't need to be subservient to anyone, but at the same time, men must change their mindset towards women. If they are more respectful towards them, then things will change at the grassroots level. It will happen slowly, but everyone has to move together.
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
Naturally, women are drawn to a man who understands the subtlety of emotions, and they know I'm a passionate man. But the reason I try to keep myself in shape is so I can sing better, not to look good.
How many thick black women are there singing whatever I'm singing, surrounded by rappers, but also from the suburbs? I can't really judge someone else for judging me!
The sight of women talking together has always made men uneasy; nowadays it means rank subversion.
I look forward to the day when half our homes are run by men and half our companies and institutions are run by women. When that happens, it won't just mean happier women and families; it will mean more successful businesses and better lives for us all.
It wasn't that there weren't menfolk in my grandmother's stories. There were lots of them but they died young or were drifters and dreamers who disappeared or turned to drink or succumbed to melancholia or slow mortal diseases. The women, on the other hand, lived a long time and were full of spit and vinegar until the end.
Men are boys for such a long time and really don't start getting the great roles until they're in their mid-thirties. But then they've got a long time to do them, whereas for women, it's all about playing younger and younger and younger.