I do see a lot of roles that are, like, the girlfriend or the love interest or the girl next door. Maybe not totally well-rounded kinds of characters - women who are more of a plot device in a way.
Fifth Harmony as a group represents more confidence, more girl power, more unity. They're anthems, as opposed to confessional songwriting about one person's life when there are five individual women.
As a little girl in Arizona, none of the women in my family had a cultural connection with Girl Scouts, but the opportunity resonated with my mother as a platform that would allow me to excel in school.
Girl Scouts is such an iconic organization that it's easy to overlook how daring an idea it was for founder Juliette Gordon Low to gather those first 18 girls in that troop in Savannah, Georgia. It was 1912, after all, and women wouldn't earn the right to vote for another eight years.
I love traveling around and talking to women in groups like the Girl Scouts, and being able to work with them is such an honor. For me, it's always about working really hard and being able to help other people, which is what I've done with both of my books.
I think I am a little jealous of women who have great girlfriends as adults.
We're getting ready to take over the world. My group of girlfriends - we're renegades.
Women are very comfortable giving to charities or things they believe in, but not as much political givers.
To me I think leadership is activism. It's giving back to your community, it's investing in oneself, and you know women and children.
I learned to draw everything except glamorous women. No matter how much I tried to make them look sexy, they always ended up looking silly... or like somebody's mother.
I wanted to be a part of telling women there is no segregation. There is no need to ever not feel beautiful or glamorous. There should be nothing that gets in your way.
I look to women who epitomize old Hollywood glamour, like Rita Hayworth.
I don't understand women who try to be glamour queens.
We have a massive shortage of engineers and one of the big glaring holes is that we have so few women doing engineering - it's less than 10 per cent of the workforce.
My family moved to Saudi Arabia from Glasgow when I was 15. Being a 15-year-old girl anywhere is difficult - all those hormones and everything - but being a 15-year-old girl in Saudi Arabia... it was like someone had turned the light off in my head. I could not get a grasp on why women were treated like this.
When I was first starting out was also when I first started really paying attention to the Oscars and stuff like that. And I remember thinking, 'Wow, everything is great for women in Hollywood, because Meryl Streep, Glenn Close, Jessica Lange, Sally Field - they're all doing incredible work.'
The true credit for our safety and security goes to our men and women who are serving in places like Iraq and Afghanistan in the global war on terrorism.
In too many instances, the march to globalization has also meant the marginalization of women and girls. And that must change.
We live in an era of globalization and the era of the woman. Never in the history of the world have women been more in control of their destiny.
People say Malala's voice is being sold to the world. But I see it as Malala's voice reaching the world and resonating globally. You should think about what is behind Malala's voice. What is she saying? I am only talking about education, women's rights, and peace.
