In the early '50s, it was still the time of Christian Dior's New Look. Every dress was big and important, and I thought I must do something completely different. Women needed something for daytime that was wearable.
My mother was the influence on me - my father was absent. He was a diamond dealer; he was doing wonderful things in the background, and women were left at home. So my mother really was in charge of everything: the ballet, dance lessons, piano lessons, and latkes.
But the true feminist deals out of a lesbian consciousness whether or not she ever sleeps with women.
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
Whitney Cummings is a very dear friend of mine, and she is a huge advocate for women.
When I get up and work out, I'm working out just as much for my girls as I am for me, because I want them to see a mother who loves them dearly, who invests in them, but who also invests in herself. It's just as much about letting them know as young women that it is okay to put yourself a little higher on your priority list.
When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
I want to find something really wonderful to do next and take my time to search through the dearth of great material, especially for women.
There's a dearth of media around young black women and certainly a dearth of LGBT media for people of color.
For a woman, there is a complete dearth of roles to do. Abroad, you really have good roles, and by good roles, I don't mean the film has to be women oriented. I wouldn't mind playing a well-written, small role.
From its beginning, fan fiction has been written mostly by women. Originally, this was because of a dearth of interesting female characters in conventional sci-fi.
Women are from their very infancy debarred those Advantages with the want of which they are afterwards reproached.
There is an often-told story that Silicon Valley is filled with women looking to cash in by marrying wealthy tech moguls. Whether there really is a significant number of such women is debatable.
You come to my studio, it says 'No photography on premises.' I picked that up from Kanye. We don't need all that. In the old days in the Wu, we didn't allow anybody in the studio, not even women. We didn't start allowing women until five years after our debut. ODB used to get mad.
Everyone thinks of the roaring twenties and associates it with decadence and flappers, female sexual liberation, the freedom of women to express themselves, the beginning of feminism. But it was also a time of huge, huge change.
As to the deceit perpetrated upon women, let it pass, for, when love is in the way, men and women as a general rule dupe each other.
I will say that the idea of a woman being deceptive came from that original discussion with critics and reporters about if woman could do that kind of thing. Evelyn, herself, grew out of the discussions about how capable women are of deceit and lying and manipulation.
Within a culture possessed by the myth of feminine evil, the naming, describing, and theorizing about good and evil has constituted a maze/haze of deception. The journey of women becoming is breaking through this maze - springing into free space, which is an a-mazing process.
Women bring some great qualities to work. We bring risk-awareness. We bring a greater focus on relationships. We bring more holistic decision-making than gentlemen do. We bring a more long-term perspective than gentlemen do. We tend to look for meaning and purpose in our jobs to a greater degree than gentlemen do.
For Gore 2000, I was a formal campaign adviser: contrary to RNC mythology, my brief was not 'wardrobe,' but rather policy on women's issues, and messaging. I was also married to a Clinton speechwriter, and observed the message decision-making process from the perspective of a spouse.
