When I was younger, I think that I felt like I could only live one way, and I had to figure out which of those one ways it was going to be. I have no anxiety about making the wrong decision.
To make us feel small in the right way is a function of art; men can only make us feel small in the wrong way.
The wrong way always seems the more reasonable.
All those good people huddling behind bars in gated communities - it's the wrong way round. The others should have the bars.
It doesn't matter if I've been wronged - I still have a responsibility to use my influence in a way that never causes harm.
I just think there is a right way to do things, and I don't think two wrongs make a right.
There are very few voices that can speak with any kind of authority or credibility on what happened back during the time when WCW and WWF were going head to head, and I think the audience is interested in that period of time, clearly. And like I said, nobody could speak to it quite the way I could.
I worked seven years in territories in Japan and Puerto Rico and worked my way up to the main events on those cards, then went to the WWF and spent a little while there before I got into the Intercontinental run and a main event runs with Shawn Michaels and Kevin Nash.
When I was writing my first book, 'In Harm's Way,' I witnessed the sense of sacrifice that those WWII veterans possessed. I was surprised that sometimes their grandchildren hadn't talked to them about the historic events of that night in July 1945, when the USS Indianapolis went down.
The male role models I had all seemed to have been in the military. My father served in the army. My uncle was in the Marine Corps. Both of my grandfathers served in WWII. There weren't any career soldiers in my family, but when I was young it seemed like a way of arriving at adulthood.
I wanted to write about racism and xenophobia in 21st Century England and Ireland, but I wanted to do it in an exciting way so that I could reach more readers. Zombies seemed like a good way to do that.
I'm endorsed by Yamaha. I represent Yamaha, and I really like the way that piano handles and capacitates the force that I put into it without losing the shape of the sound and the contour, and it really holds up well.
Yellowstone wildlife is treasured. We understand that. We'll manage them in a way that addresses that sensitivity.
I'm Italian, but some people think I'm Jewish because I work the Yiddish. I also work the Italian, by the way.
Yield to temptation. It may not pass your way again.
The way yogurt works is you take the old yogurt culture and you put it in milk. You have to put enough of the old culture in, and then that old culture will convert the milk into yogurt.
It's just surreal because I get to empower other little African-American girls around the world and say that you can be a superhero, and you rock, and you can conquer the world, and you are beautiful just the way you are, and your flaws are nothing, and you're awesome.
It is an entirely selfish decision to turn producer because I want my kind of cinema to last and flourish, and helping young filmmakers make those kind of films is the best way to do it.
In some way, L.A. respects the young guy that's out there just trying to make it happen, but in some ways, they disrespect that, too.
I see a lot of young guys going back to the suit, but they're doing it in a way that's less of a uniform.