There are some short stories in R. Crumb comics that are just wonderful and touch me in ways no other comics do.
It's interesting as one grows older to keep in touch with the cutting edge.
Eventually I would like to touch all the genres. I would like to do some detective stories, and I want to do a Western. I would want to do humorous Westerns.
My search for ways to improve my touch has never ended. We players tried a lot of different things and compared notes. Little fads would set in.
There is a touch of divinity even in brutes, and a special halo about a horse, that should forever exempt him from indignities.
We have found that fusions of GFP with the RING finger domains of certain E3 ubiquitin ligases creates an unstable GFP. We have used unstable GFP to learn how disruption of microtubules in the touch receptor neurons causes a generalized reduction in protein levels in the cells.
I drape a lot. I cut. I have to touch. For me, it's almost impossible to start without that.
I love Opening Ceremony, Kenzo - anything Humberto Leon and Carol Lim touch. I drool over Christopher Kane, Mary Katrantzou, Delpozo, and Wes Gordon.
Base stealers are often considered their own breed: reckless, egocentric, even a touch mad.
It is not possible for a man to be elegant without a touch of femininity.
If people would get in touch with their spirits, they would be able to heal, emotionally and physically.
'Do not touch ontologically' doesn't mean 'are separated by empirically measurable hard edges.'
I don't want to just entertain people. I want to touch them.
No great genius has ever existed without some touch of madness.
Because of this the representation I'm interested in is of those things only the eye can touch.
It is in our faults and failings, not in our virtues, that we touch each other, and find sympathy. It is in our follies that we are one.
Ambition has one heel nailed in well, though she stretch her fingers to touch the heavens.
I've been in navigation systems, robotics, restaurants, communications systems, touch screens, and now I'm back in games. I like to say I have five-year A.D.D.
Mozart's seeming frothiness is just a light touch with very profound material. That's what I've found working on 'The Magic Flute.'
There is no great genius without some touch of madness.