As England manager I always felt we needed an extra man in midfield to retain the ball, but that was more as an attacking ploy to help create opportunities. It came from my experience playing international football in a 4-4-2 and spending half my time chasing the ball.
In Spain, we mainly use red plum tomatoes, but it is always fun to experiment. Try using a mix of colors or substitute green tomatoes for plum next time you make a tomato dish.
Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it.
The act of writing requires a constant plunging back into the shadow of the past where time hovers ghostlike.
I think when people see Pluto revealed by New Horizons, its satellite system, its complex surface, its atmosphere, I think they'll have a hard time saying 'That's not a planet' because it obviously will be, and I think most people are already coming to that opinion anyway, but I think that's really going to drive it home viscerally.
It says something very deep about humans and our society, something very good about us, that we've invested our time and treasure in building a machine that can fly across three billion miles of space to explore the Pluto system.
Low lights signal to our senses that the workday may be over and it's time for sleep, making it hard for an audience to pay careful attention. When we stand behind a big wooden podium, it can feel as if there's a shield between us and the audience.
I still think there are some pitches in this pitching arm, so I will continue playing with USA Softball, but knowing that this could be the last time a softball player stands on the Olympic podium and has the opportunity of experiencing this - it was emotional.
There's a poignancy to being with someone older. I think there's a greater appreciation of time and what you have together and what's important, and it can make the little things seem very small. It puts a kind of sharp light mixed with a sort of diffused light on something.
I loved 'Dumbo.' I watched Bugs Bunny time and again. The Muppets were big, too. All of those, they have this real, not darkness but poignancy, that's what makes it stick with you.
As you may possibly have noticed from time to time, I have tended to make a habit of sticking my head above the parapet and generally getting it shot off for pointing out what has always been blindingly obvious to me.
It's pointless to be critical of your stuff once it's done. I don't spend a lot of time agonising over it. It's of no importance once it's finished.
Actually, I think that a lot of the interviews and acoustic sessions and other things that artists fill their time with are really pointless and suck the energy out of the artist.
A lot of the time with child actors, you get the feeling they're trying to have a kind of poise or presentation that's beyond their years that might be put on, but also might be because they've spent years just hanging out with adults and they don't even have a sense of what it's like to grow up with kids their own age.
I poked Kenny Walker in the eye by accident. Every time I saw him, I used to apologize to him when I saw him in the NBA.
I interviewed survivors, I went to Poland, saw the cities and spent time with the people and spoke to the Jews who had come back to Poland after the war and talked about why they had come back.
It's kind of a lonely work, because you just have to keep your pole in the water. I always had a little routine of going into whatever room I was using at the time to write in and just staying in there till I felt like I got a bite.
All my films have some kind of statement about something - but I have to coat it with entertainment to make it palatable. Otherwise it becomes a polemic, and people don't want to see it. If you're trying to get a message out to people, you've got to entertain them at the same time.
I quit working in the police force full time only after I won my third Mr. Olympia.
Offence is no longer defence - it's a full-time profession. Everyone is so offended all the time. The new police force that we weren't told about: the moral police. No qualifications, no training, no understanding of actual morality, but they have a degree in the art of being offended.
