You try things creatively all the time, and while you want every one of them to be great, and you set out to do that, that's not always going to end up being the case.
So many things have to come together to get a creatively successful and financially successful film. Sometimes you'll have a movie that you're very proud of, and you think it transcended all of your expectations, but it doesn't come out at the right time. I have done movies that have never been released. That can be depressing.
Effective philanthropy requires a lot of time and creativity - the same kind of focus and skills that building a business requires.
As the births of living creatures are at first ill-shapen, so are all innovations, which are the births of time.
I've never forgotten what it's like to be in your early twenties, which is not a particularly easy time. You've left your family, you've left the strictures of high school, and you're trying to break free and form yourself but you have to support yourself as well. We don't really give enough credence to that time of life and to its troubles.
I knew credibility would come only in time and through earnest performances.
By the time I had got to college, I had begun to read and had decided that most of what Christians believed could not be credible. So I became a philosophy major at Southwestern University in Georgetown, Texas.
I get a lot of credit for comb-overs. But it's not really a comb-over. It's sort of a little bit forward and back. I've combed it the same way for years. Same thing, every time.
I'm the treasurer of the state of Ohio, where, when the United States credit rating was downgraded for the first time in American history, and 14 government funds around the country were downgraded, we earned the highest rating we could earn on our $4 billion investment fund.
Our own theological Church, as we know, has scorned and vilified the body till it has seemed almost a reproach and a shame to have one, yet at the same time has credited it with power to drag the soul to perdition.
When you are continuing to be in debt or are going deeper into it, every time a creditor calls, it rubs your face not only in how vulnerable you are, but that people are out to get something from you that you don't have to give.
Some have been ensnared in the net of excessive debt. The net of interest holds them fast, requiring them to sell their time and energies to meet the demands of creditors. They surrender their freedom, becoming slaves to their own extravagance.
Much of what Germany and France have done in the rescue of Greece has also helped German and French banks, who for a long time were major creditors for Greece and Greek banks.
If you have to change the law to get more money, that's a tax increase, and Americans for Tax Reform supports all efforts of tax reform, getting rid of deductions or credits, or something that's misclassified, as long as you at the same time reduce rates so that it's not a hidden tax.
Beauty is the only thing that time cannot harm. Philosophies fall away like sand, creeds follow one another, but what is beautiful is a joy for all seasons, a possession for all eternity.
One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.
As a member of the oldest slice of the Millennial generation, my teenage years spanned the late 1990s through the start of the new millennium. I spent that time watching a lot of MTV's 'Total Request Live', 'Dawson's Creek', and wearing out a dual VHS tape of 'Titanic'.
I think in my late 20s, I was starting to enter that realm of complacency, which is the most terrifying place I can imagine as an artist. I felt time creeping up on me.
For me, fear manifests itself in snoozing and inactivity. I just become so sleepy, any time of day, when something needs to be done. I sometimes go days without responding to texts or reading books or being able to process much of anything beyond the sun slowly creeping through my living room windows.
I refuse to be one of those artists who, 10 years from now, they're bitter about the rise and the fall of their career. I understand that somewhere there's a peak and a crest for me, and I'm going to enjoy all levels. I'm going to enjoy this ride that I'm on, and when it slows down, that's when it will be time for another phase of my life.
