I think, in some ways, I like it when people tell me what they're thinking. I would rather have it that way than masquerade as if you're totally unbiased and objective.
I still keep thinking someone will penetrate my guilty secret - that I have been masquerading as a writer all these years while all I was really doing was enjoying myself, pursuing my passion.
Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.
I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented people in comedy were hard-joke writers.
Good overtaking is important to me. There are a lot of quick maths involved. I will prepare from the corner before, thinking, 'If I exit this way, and the driver ahead of me is in a certain position, then I'll go for it.' If he is not where I hope he will be, then I won't pull the trigger. If he is, my decision has already been made.
They've got this crazy actor who's 82 years old up there in a suit. I was a mayor, and they're probably thinking I know how to give a speech, but even when I was mayor I never gave speeches. I gave talks.
You get so lost in the making of a film, and you get so fixed on just, like, every tiny detail. If something doesn't hit the bullseye in the way you wanted, you become obsessed with that, and you get so just lost in that maze of neurotic thinking.
People like to imagine that because all our mechanical equipment moves so much faster, that we are thinking faster, too.
If it is something that I want to do, then I don't think the audience will hate it. Unless I turn into a megalomaniac and start thinking that Salman Khan can do anything.
Through therapy and a lot of thinking and writing my memoirs, I've been able to use my life as a lesson.
So much of performing is a mind game. You're memorizing thousands of notes, and if you start thinking about it in the wrong way, everything can blow up in your face.
I got a fan letter on the back of a prison menu. And I remember thinking, 'Well, they get pie. It's not so bad. They get pie on the weekends.' I want to say blueberry and also a Boston cream pie. Not so bad.
After Pixar's 2006 merger with the Walt Disney Company, its CEO, Bob Iger, asked me, chief creative officer John Lasseter, and other Pixar senior managers to help him revive Disney Animation Studios. The success of our efforts prompted me to share my thinking on how to build a sustainable creative organization.
The only show I ever really wanted to do was 'SNL.' It was some sort of merging of my talent and my metabolism. It suited who I am and what I do really well, though whatever I was thinking it was, it kept mutating and growing. At first, I didn't even know that the cast would be the thing everybody talked about. We thought it would be the hosts.
I'm always thinking I'm messing up. I did a lot of classes. I can't stand being on stage or the only one talking in a room, so class really helped me deal with that. It doesn't really get any easier, but it helps you focus on the acting.
Tricking your brain into thinking you are getting something sweet plays dirty tricks on your metabolism.
Again, one of the problems I have with television, as I mentioned before, is it's trivial in many ways, and I think that a lot of folks out there are looking for new metaphors and new ways of thinking about things.
Every time a meteor comes close to the earth, we all think about the end of the world - but our internal soundtrack doesn't turn off. We're also thinking about pizza or passing a slow tractor or making a turn, and for a magical instant, our lives seem to be in conversation with the stars.
Education is the methodical creation of the habit of thinking.
Learning to fly an airplane taught me a way of thinking, an approach to problem-solving that was applicable and effective. Pilots are very methodical and meticulous, and artists tend not to be.
