Obviously, the Sixties was a time when everyone wanted to experiment, and then everything became very formulated and corporate, so artists tended to get pushed into a kind of pattern. Now, I think that has continued with the emergence of televised talent shows like 'X Factor.'
We think wireless is going to grow tremendously. Do I think people are going to watch an episode of 'Survivor' on a 2-inch television set? I doubt it. But I do think somebody's going to go to a grocery store in the middle of a football game and watch that game.
I think the great thing about a television set is that it can be turned on and off, and you don't have to watch it if you think it's going to be something that you're not going to like or learn from.
I started making movies in 1977, and I didn't even think about the idea that I would ever be on a television show. Once I finished the 'Guiding Light,' I was like, 'I'm done with television!'
I think 'Eastbound & Down' is one of the great television shows, ever.
I would like to have a go at TV. I think, especially when you have kids, that you spend a lot of time watching telly, and you think, 'How come I'm not doing that?'
I spent as much time watching telly and films when I was a kid as I did lying around reading books. I think it's crazy that writers are only allowed to say that certain books have influenced them.
I've been famous for a long, long time. So I don't think of it - I think of it very differently. It's the normal temperature of my room.
My dad talks about the times when we'd play backyard cricket: If I got bowled out, I'd just refuse to let go of the bat and swing it at anyone who tried to take it away from me. I like to think that's been tempered a bit over the years.
I think A Midsummer Night's Dream would be terrific because of the transformations that occur. Or The Tempest, things like that. Extraordinary larger than life or supernatural element.
When you sit down and think about what rock 'n' roll music really is, then you have to change that question. Played up-tempo, you call it rock 'n' roll; at a regular tempo, you call it rhythm and blues.
I think there's a tendency with actor/directors to imagine themselves playing every part and trying to get people to follow their rhythm, their tempo, their pace. I've learned now to just love being at the center of this creative swirl.
I think very few shows have come into our industry and changed the tempo and the narrative of stories, and 'Once Upon a Time' did that.
I don't think we should ever ban anyone based on their religion. That is un-American. It is not good. What the president is doing, everybody needs to realize that what he's doing is saying, 'Let's take a step back. Let's temporarily pause.'
If I'm writing for a particular artist, I definitely think about their past records, pay attention to the type of tempos that they like. If I have the privilege of actually being in the session with the artist, I just like to have a conversation with them.
Sometimes when I consider what tremendous consequences come from little things, I am tempted to think there are no little things.
Living and working in the centre of a city, one cannot but be affected by the sight of the homeless on the streets. They are almost an expected feature of life in a big city, and it is tempting to think there is little or nothing that can, or even should, be done about it. This is not so.
I can tell if someone is talking to me because I'm on 'Friends' or cause they just think I'm neat. You know I don't think I've ever spent more than five or ten minutes with somebody who was ogling me because they recognized me from the show.
Ten years ago, you wrote a book and you never expected to find out anything about the author. Now with social media, everyone wants that connection. I think our readers want to be invited into our lives and brought on the journey and be part of this whole process.
If I had to find one characteristic that is most symbolic of me, I think I am tenacious.
