I think I'm probably much better at the boots and pocket knife thing than I am at the high heels and martini thing.
Films are a very personal experience - just like a martini - so I try to think about what I like, what projects I like to be in, and make sure I feel proud about it because, at the end, I'm the only one that's going to look back and feel proud or not about what I was doing.
The pillory and stocks, the gibbet, and even the whipping-post, have seen many a noble victim, many a martyr. But I cannot think any save the most ignoble criminals ever sat in a ducking-stool.
When I think of musical geniuses, I think of Stevie Wonder, Marvin Gaye, Michael Jackson and Prince. That's who comes to mind.
I still think like a Marxist in many ways.
I think I'm just proudest to be the lady who was asked to play Mary Poppins. She's such a wonderful character, and there's so much tremendous talent out there. So I feel very lucky to be the one who got to play her.
Did you ever notice the color of Mary Poppins' petticoats? They were kind of orange and apricot and red. I think she had a secret life going on there.
I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
I'm not Mary Poppins, but I think I functioned with integrity.
I think mascara is a must. If I'm going to wear makeup somewhere, and I'm doing it, it's usually really simple - it's just mascara and maybe a tiny bit of eyeshadow, but that's it.
I use Revlon waterproof mascara. And then I love a smokey eye when I perform because I think it's important to make your eyes pop when you're on stage.
I have always loved tartans - such an ornamented type of weaving, so vivid in colour, and such a masculine aspect. But actually, I think tartans can be feminine or masculine.
I think the truth about male friendship is often left out of the media, and it's that it has a million different shades, because masculinity has a million different forms.
We're in a world where masculinity, especially with these big spectacle movies, is often pushed by rippling six packs and forcing an image down someone's throat trying to prove masculinity. Whereas I think true masculinity comes from having a strong sense of self.
Coming from Haiti and growing up in Brooklyn, there's a lot of European influence when I get dressed up. I wear a lot of fitted suits, elegant cuts; I think it's cool to mash up a lot of different looks.
I don't think any other holiday embraces the food of the Midwest quite like Thanksgiving. There's roasted meat and mashed potatoes. But being here is also about heritage. Cleveland is really a giant melting pot - not only is my family a melting pot, but so is the city.
Sweetness is the opposite of machismo, which is everywhere - and I really don't get on with machismo. I'm interested in sensitivity and weakness and fear and anxiety because I think that, at the end of the day, behind our masks, that's what we are.
People think I take some sort of masochistic pleasure out of putting out music that's gonna be unpopular.
I'm not a masochistic reader. If something is just too dense or not enjoyable, even though I'm told it should be good for me, I'll put it down. That said, most of what I read would be considered high-end or good for you, I suppose. But, I also think that reading should be enjoyable.
I admire when people take the harder path, not because they are masochistic and want to beat themselves up, but because you actually kind of learn more and I think you grow more.