I've always thought if I could pick my interviewer, it'd be Charlie Rose, who I think is the best.
Whenever I think of how much pleasure I have interviewing scientists, I remember that they're having the real fun in actually being able to do the science.
When you're interviewing someone, you're in control. When you're being interviewed, you think you're in control, but you're not.
Most of the people interviewing me are far more square than me. I think it's the ET thing. I'm sitting there, my hair is combed, and I'm in a suit.
I think the day that I become comfortable doing interviews and going on talk shows is the day that I don't know what it is to be a human being anymore.
Before I got into acting, I was always interested in psychology, which I think is very common with a lot of actors because in a weird way, psychology and acting kind of seem interwoven.
I think that a lot of people would perceive my style as being intimidating. And although I don't want to intimidate kids, I am very demanding.
I want to be strong. I want to be able to hit people. I want people to be able to bounce off me. When I go out there and play, I play to intimidate people. If someone gets hit down by me, they're going to think twice about coming near me again.
If I could write directly on a typewriter or a computer, I would do it. But keyboards have always intimidated me. I've never been able to think clearly with my fingers in that position. A pen is a much more primitive instrument. You feel that the words are coming out of your body and then you dig the words into the page.
I think the biggest reason I was able to express myself and not be intimidated was by not having a mother. For example, mothers teach you manners. And I absolutely did not learn any of those rules and regulations.
I think any director is intimidating.
The real hate crime these days is the Orwellian intimidation wielded by the Left against those that don't think the way they do. It's worse than waterboarding.
But I think it's intoxicating when somebody is so unapologetically who they are.
I think 'Never Land' is, like, my first really strong attempt to create music... that can encourage people who share my faith but also challenge and intrigue people who don't.
I'm really intrigued by those eternal questions of creation and belief and faith. I don't care who you are, it's what we all think about. It's in the back of all our minds.
I think that's one of the things that intrigues people the most: my defensive versatility. My movement and mobility is something that piques everybody's interest.
It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.
Being biracial is so much a part of who I am that it's almost, 'Let it go already.' It's intrinsic to me. I think a lot of my fans relate to me because they felt different.
I think that whether someone is a Christian or not, the idea that a human life has dignity and intrinsic worth should be clear enough.
Toy Soldiers was my introduction to film. I certainly didn't think I was doing art by any stretch of the imagination.
