I'm totally against straight marriage - even though I'm married. I don't think heterosexual marriage is any of the government's business.
I think change is possible, but only for individuals who were never truly gay in the first place and who have a strong personal motivation to recover their heterosexuality.
I think heterosexuality and homosexuality are a kind of psychosis, and the truth is somewhere in the middle.
I don't think teenagers in 2017 identify with heterosexuality, and that's a positive.
I think one of the nicest things that we created as a generation was just the fact that we could say, 'Hey, I don't like white people.'
Ironically, I think some of the inspiration around Stitch Fix is really what was great about stores in the heyday of stores.
When something startlingly new comes up, young people, especially, seize it. You can't complain about that. I think its heyday has passed, but it's had an effect and will continue to have an effect.
I think any kind of hiatus one takes in an artistic journey is going to make a huge difference. The pause will inform the choices that you make.
I think I was so grateful, in the years after Sleater-Kinney broke up or went on hiatus or whatever you want to call it, to find 'Portlandia' and co-create 'Portlandia' with Fred Armisen, which allows for levity, allows for the same kind of kinetic energy, but channeled through absurdity and surrealism.
The young think that failure is the Siberian end of the line, banishment from all the living, and tend to do what I then did - which was to hide.
I think we're all dealing with insecurity, and we hide that insecurity from the world, which, in turn, just hides us from the world. And it's only once we actually embrace these insecurities and love them that we can really love ourselves and others, fully.
I'd like to think the best of me was still hiding up in my sleeve.
People think actresses find public speaking easy, and it's not easy at all; we're used to hiding behind masks.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
I'm not set on a pedestal where I think I'm too high and mighty.
I think that high art reposes on popular art, without one there cannot be another.
I already had high blood pressure. I have hypertension. And I think the chemo was just too much for my kidneys. And they went into failure. And that was September 12th of 2008. And the doctor rushed me right to the hospital.
High energy creates more energy, more energy, more energy. It kicks off synapses, I guess. It opens up your brain and you think of one thing after another thing, after another. You can really open yourself up comedically, which is fun.
We really put on a very high energy rock n' roll show. We don't go around with our noses in the air. We're very crazy. But I think when we did 'Bohemian Rhapsody,' people thought we take ourselves very seriously.
John and I were lucky because our mother was a strong woman with high expectations and a strong sense of values. She encouraged us to pursue things we were interested in and not think about what other people wanted us to do.
