I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
I think for female filmmakers a big issue is making their second and third films.
I think, at the end of the day, filmmaking is a team, but eventually there's got to be a captain.
I think the biggest thing you take from the stunt world is your understanding of the filmmaking process. For years, you've worked with every other department closely. You know hair, makeup, wardrobe, special effects, and you know what everybody's needs are and their expectations. You also know how to collaborate with them.
The key for me with 'Star Wars' is to stay in their world. Don't get in the way of what is already known and what works. I think of the basic nature of the filmmaking process that worked so well for the original trilogy. No stylistic flights of fancy for the sake of showing off. Tell the story, get the shot, get the performances, and move on.
I write on big yellow legal pads - ideas in outline form when I'm doing stand-up and stuff. It's vivid that way. I can't type it into an iPad - I think that would put a filter into the process.
I'm playing for the Red Sox, and I don't think there's anybody out here who's going to intentionally hurt you. So you listen to information, and you kind of filter what you like and take out what you don't.
I think why people are drawn to me is because I'm very relatable. I don't filter.
What podcasts can do in order to liven up the talk show area of TV is bring new personalities and unique worldviews into the fray in a way that's not going to be filtered through the whole Q-rating thing. I think there's a whole new layer of doing things that TV is behind the Internet in figuring out.
I can't say I'm particularly happy about all the spam and the viruses and the equivalent that we see on the Net, but I think technology can deal with many of the problems that we're now seeing, whether it's filtering or whatever, and laws may help a lot.
I think that reading is always active. As a writer, you can only go so far; the reader meets you halfway, bringing his or her own experience to bear on everything you've written. What I mean is that it is not only the writer's memory that filters experience, but the reader's as well.
I will never understand people who think that the way to show their righteous opposition to sexual freedom is to write letters full of filthy words.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.
Not until the final draft do I force myself to remember that I'm going to have to think about how it will affect other people.
When you have a performer as talented as Bill Murray or as Harold, that can write as well as they can perform, you can do a final draft on the set if you think of it that way.
I think I'm a good dad. It's hard. Ultimately, it's our kids that have the final word. So we'll have to ask them.
I think that 'The Shield' was a phenomenal series finale.
The first think I did when I found out I was a finalist, was, I don't remember, because it felt like it was an out of body experience.
It was not until the end of my freshman year in high school that I thought I could really have a future in track and field. I definitely did not think I could make it to the Olympics back then, though; I was just focused on making it to the state finals!
