I'm a walker. I enjoy walking, which I think psychologically expresses my feelings of wanting liberation without exerting myself too much.
Even though I went to Exeter and Yale, and I enjoyed all the trappings of those places, I think at the same time - and maybe it's because I'm an immigrant kid and not white - there was always this other consciousness; that is, I was conscious of everything that was going on.
Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.
I think I've really exhausted the magical. It was a lot of fun, but I've put it behind me for the time being.
Think about George Orwell's three-minute hate from the novel '1984' and how that left everyone sort of exhausted and able to live their boring humdrum lives. If our lives are going to continue being unfulfilled and boring, perhaps we do need some sort of short-term violent chaos incorporated into them, to make them more palatable.
I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing.
I don't think any actors love taking their clothes off on film, unless you're an exhibitionist, which I'm certainly not.
I don't think that just because you go on stage you are an exhibitionist.
Many people will say, well, clothes should be worn; but I think people can look at them in public, like seeing a film. I think museum exhibitions are very important.
In that early-love stage, you're in that state of exhilaration. You talk till dawn. You become obsessed with 'What does he think?' 'Does he like me?' 'Does he think I'm fat?'
I think the kind of person that gravitates toward New York is a person that's not so much focused on controlling exactly how they appear and how they exit. They're more fascinated with the process.
To see how many Italians are going out of Italy, the sort of exodus, a great generation leaving my country, I think is the worst nightmare for me as prime minister but also for the country, of course.
I was a scared kid... I think I was born a nervous wreck, and I think movies were one way to find a way transferring my own private horrors to everyone else's lives. It was less of an escape and more of an exorcism.
I think music should be scary. Music is an exorcism.
One of the reasons I don't have kids is because I think people would have been very unfair to them. Think of it. You're still asking me questions about The Exorcist.
I think The Exorcist was the hardest work I've ever done.
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
I think that it's nice when someone can go and look more exotic and do the girl-next-door thing as well.
My career was exploding at the same time that social media itself was expanding. But when my online videos were taking off, I didn't think, 'Oh, great! I'm going to be able to parlay this into a career!' I just wanted to be a comedian. I just wanted to perform live.
There's something about the expanse of nature that forces you to think clearly.
