I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
I think I began to like writing a lot more, and to be a better writer, when I did it for a while alone. It made me a little more confident about my style.
My style is to have a big vision, a big commitment.
Populism is not a style, it's a people's rebellion against the iron grip that big corporations have on our country - including our economy, government, media, and environment.
I was born in the '80s, so I don't really remember it very strongly, but the music is so iconic. And so those artists - Madonna, Prince, Janet Jackson, Whitney Houston - you still hear those songs all the time. And there's such a distinctive style - the clothes, the shoulder pads, the big hair, the perm.
I'll never be the biggest kind of star; I'll be like Bob Duvall, respected as an actor but a lot of people can't identify the face. I don't have the personality of a big star, or the looks of a Mel Gibson or a Paul Newman, or the style of a George C. Scott.
I never got to train with the likes of Wesley Sneijder and Rafael van der Vaart, but I am from the club where they were. I am not Dutch, but I am from a club where they both played with the same style. They've had really big success when they left Ajax, so I hope I can achieve the same.
I really like Calvin Klein for his classic simplicity. I also think Prabal Gurung designs some great pieces that work well for me. My mom has such great style; she's my biggest influence.
Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
One of the biggest things about being an entrepreneur is discovering your own management style. You can learn from others and try to emulate what they are doing, but at the end of the day, your inherent personality - how you deal with events and situations - comes to the forefront.
Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.
Many billboards and magazine ads have resorted to showing isolated body parts rather than full-body portraits of models using or wearing products. This style of photography, known in the industry as abstract representation, allows the viewer to see himself in the advertisement, rather than the model.
Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
My personal style really started in my teens when I gained purchasing power to actually buy my own damn clothes. For so long, my parents dictated what I wore, which largely was their way of containing me within the gender binary.
My personal style is bipolar. Sometimes I feel like dressing in a boyish leather jacket; other times I want to dress more elegantly. Most of the time it's what I like to call 'comfortable chic': Giuseppe Zanotti flat sandals, Rag & Bone jeans, slouchy Isabel Marant shirts.
If my style is too direct for some, maybe they should toughen up a bit.
Blake Lively is my style icon, and she always has rocking clothes and shoes. She keeps it really simple with hair and makeup, and I try to do the same thing. Onstage, I do a little smokier, a little more contouring, but I still always want to be an approachable and real artist, so I never try to go overboard.
The proper navy blue blazer can be single or double-breasted and looks best in a three-button style. The proper blazer requires side-vents. Italian versions can have no vent at all, but I find this a bit fast.
Pentagon not only has the untrainable 'It' factor but also the rare ability to adapt and succeed wherever he competes. He has a unique charisma about him that fans connect with, and regardless of where he competes or what style is prominent, he seamlessly blends in - yet stands apart from everyone else on the card.
Not only the style, but the way in which you don't exactly know what on earth has happened or is happening till about page two hundred - then it all becomes apparent in a blinding flash.
