As far as entertainment, 'The Right Stuff' is a good movie. As far as a documentary of the early space days, which they purported it to be, it is not at all.
I am one of many people documenting damage and looting at ancient sites from space - it is such a crucial tool.
I have on many occasions spoken my mind from stage. I have offered organizations table space by the merch booth. I have donated a dollar-a-ticket, or the entire guarantee, to different causes. I have registered voters. I have played on behalf of political candidates.
You cannot make a giant space company in your dorm room. Not today. And the reason is that the heavy lifting infrastructure isn't in place.
The first private space of my own wasn't a dorm room; it was a hotel room in Tulsa, Oklahoma.
MoMA is doubling its space, and I decided to raise the money for it.
I just downloaded '1984' for my iPod, but I've read that before. It just hearkens back to the 'romance' of my high-school days. I really liked the space I was in when I was reading it.
We were all working for 400 dollars a week at the Public Theater and sharing a space downstairs together, so we grew to love each other. That dynamic for me as an original company member is special to me.
The fashion business got boring. I was working with big companies, but the minute it became too formulaic, I got bored with it. I wanted to do a creative space where I could just make stuff - kind of like an atelier, where I could collaborate with other artists, drape geometric shapes on the body, make cushion covers, or whatever.
Space is an inspirational concept that allows you to dream big.
Growing up, when I was at live shows, I was always hoping someone would come out on stage and say, 'The guitarist is sick and couldn't make it... does anybody know how to play all the songs?' That was always my little dream. It was a massively inspiring thing to be in a space with live shows.
You have to adapt and find your niche, in terms of the type of player you can become, both on and off the pitch. I always knew I'd have no chance against a 1.90m, 90kg defender in a duel, so the key is to avoid these situations altogether. You have to pick your space and time.
Things like promoting healthy behaviours, including nutrition and activity, and beginning that at school is so critical. We used to have a healthy eating, healthy action plan, elements of which really were dumped by the last government, so we're trying to rebuild a bit of a program of action in that space.
If you're going to do a show about somebody who dumped you, it's much richer if you have three characters dealing with different aspects of that theme. There is more space for people to identify with it.
Even these stars, which seem so numerous, are as sand, as dust - or less than dust - in the enormity of the space in which there is nothing.
The problem of the minimum dwelling is that of establishing the elementary minimum of space, air, light, and heat required by man in order that he be able to fully develop his life functions without experiencing limitations due to his dwelling, i.e. a minimum modus vivendi in place of a modus non moriendi.
When it comes to space, I see it as my job, I'm building infrastructure the hard way. I'm using my resources to put in place heavy lifting infrastructure so the next generation of people can have a dynamic, entrepreneurial explosion into space.
The vision is to figure out how there can really be dynamic entrepreneurialism in space.
What brought mass innovation to a nation was not scientific advances - its own or others' - but 'economic dynamism': the desire and the space to innovate.
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
