I enjoy songwriting. It's slow-motion improvising.
I'm a fairly tormented artist, and I'm less willing to indulge myself in self-pity, outside of songwriting.
That is what intrigues me; songwriting and song structure and expression.
Breaking Benjamin, talk about songwriting, I mean, some of the greatest songwriters of the modern era. And, obviously, it's a little heavier.
I really feel like I've nailed songwriting. It's my specialty; it's what I'm good at.
I actually went to an Oasis concert. I thought they were a brilliant songwriting band.
My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
There are no rules when it comes to songwriting, so I'd turn Carter family songs from the 1930s into pop songs.
I wanted to be part of pop culture, so I started songwriting, and I got signed to my first record deal.
Recovery stabilized me; songwriting gave me a purpose.
Songwriting is too mysterious and uncontrolled a process for me to direct it towards any one thing.
To have John Mellencamp compliment my songwriting? That was unreal.
Songwriting is such a sensitive energy. It's just a vibration of frequencies.
My production and songwriting and the environment around those vocals are not inspired by R&B at all.