Quotes Tagged "representation"

What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms – in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.

If it's true what is said, that only the wise discover the wise, then it must also be true that the lone wolf symbolizes either the biggest fool on the planet or the biggest Einstein on the planet.

Since we live in the heads of those who remember us, we lose control of our lives and become who they want us to be.

If we can't write diversity into sci-fi, then what's the point? You don't create new worlds to give them all the same limits of the old ones.

The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. To see their identities and perspectives—their avatars—on the page. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own. And when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. You don't get to exist in story; you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star.

Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One's language is frequently imprecise in that manner, I have discovered.

It is more substantial to represent a purpose, rather than just a title.

For me, it comes down to the fundamental question of who owns knowledge, who produces knowledge, who enables other people to produce knowledge. And that’s why it’s important that knowledge should not belong to one person or group, neither should the profits of that knowledge belong to one corporation, whether it’s The Washington Post or The New York Times, and the Amazons and Jeff Bezoses of the world. It’s absolutely important that all of us, whether we are brown or black, have the capacity to produce knowledge and own that knowledge.

Există ceva dincolo de reprezentare? Cunoașterea e o fereastră demnă de încredere spre real, sau doar un sistem de sticle opace și împodobite cu figuri care filtrează numai imagini false și umbre îndoielnice de adevăr? Există într-adevăr ceva îndărătul cunoașterii sau nu există nimic, ca și îndărătul vieții? Să fie oare numai o oglindă a ei însăși, scoarță fără trunchi, draperie a golului?

If we really want to represent God in our day and time, we must embrace knowledge.

It's a proud tradition we have of a diverse representation from the Maryland congressional delegation.

No good is ever done to society by the pictorial representation of its diseases.

There is no proportional representation requirement in the Equal Protection Clause.

We have a Scottish Parliament and National Assembly for Wales, both elected by fairer votes - involving proportional representation.

My mustache has become this weird iconic representation of a certain era.

Painting is the representation of visible forms. The essence of realism is its negation of the ideal.

Proportional representation is as British as first-past-the-post.

We're premiering 'The Neon Demon' in Cannes, which is the representation of 'The Neon Demon,' which is all about glamour and vulgarity.