The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
It's cool to play the guitar, but to me it's even cooler to scratch a guitar backward and forward, to manipulate it with a turntable. Guitars can't do that themselves.
I still play that guitar. It's a Martin D-18 with a clear pick guard. I've played that guitar on and off my TV shows for nearly 50 years.
I think when I began, I played distortion more than the guitar. The results of my strumming. Now I play the twang of the string, which is a lot closer to the source of the sound making.
I did play a romantic part once - Orsino in 'Twelfth Night.'
I play football once or twice a week. I eat pretty healthy. I'm in fairly good shape most of the time.
As an ambiguously non-white actor, I've been able to play light-skinned African American guys, Latinos, and I don't think that I've ever had to play some kind of ethnic stereotype or something that was typed specifically for a person of color.
I think my first instrument was a ukulele that they gave me. I used to know how to play that pretty well.
I like to play the guitar and the ukulele.
The only instrument I play myself is the ukulele.
Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.
TechCrunch is the publication of record, but they're so bad and uninformed. It's insult after insult. When I play poker with other VC's, we all laugh at TechCrunch.
You can't win if you don't play as a unit.
I like to play characters that have an inner confidence about them that maybe you wouldn't expect them to have and that they aren't afraid to unleash occasionally.
On any play where there's a scramble of 22 men, blindside hits and unprotected hits on knees occur.
It really lasted the whole game, because I was really untouchable, unstoppable that game. But it was heightened on one particular play, and that was the longest run where everything completely slowed down. My awareness was so keen, it was so heightened, it was really amazing.
My play Safe Sex was picked apart because critics thought it was untrue. It was a play in which no one had AIDS, but the characters talked about how it was going to change their lives.
I'm so grateful to grab hold of something that wants to be a play. It doesn't happen very often. I don't have unwritten plays waiting for their turn.
The more people they can give us upfront the harder we play.
I can play on the right, from the left, behind the main striker, or upfront - it depends on where the coach wants me to play.
