Billy Joel and Joe Jackson were both great, and they both play piano.
TV now, you have to plan it: you structure it for binge watching, meaning you structure the whole season like a three-act play. You have a first act - the first third of the season - second act is the middle third, and you structure it like that.
If you went and found my draft bio, I wasn't supposed to play left tackle, and I sure as hell wasn't supposed to play it for 12 years.
My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
Who doesn't like to play Black Sabbath tunes!
I play Texas Hold'em on my Blackberry. I have amassed a fortune on that. I have almost 30 million dollars from playing. It is unreal.
I try to block out everything that distracts me. Even a big play, I blank it out.
I like to play women who blaze trails.
Experience without theory is blind, but theory without experience is mere intellectual play.
Blind stealing is not exclusive to late position play. You can steal blinds from any position, and you should!
I want to be active. I want to be able to show everything I can do. I can blitz. I can cover. I can play zone and play man. I can do it all.
The last act is bloody, however pleasant all the rest of the play is: a little earth is thrown at last upon our head, and that is the end forever.
Blues is easy to play, but hard to feel.
The supreme accomplishment is to blur the line between work and play.
You must play boldly to win.
We are faced with the dilemma of how or if we demonstrate where we stand on critical issues and corresponding social ills. We are also bombarded with so many instances of inhumanity that it can be difficult to determine what part we play in human progress.
The Ramones are not an oldies group; they are not a glitter group. They don't play boogie music, and they don't play the blues.
George Bush is trying to play it both ways.
We had to play both ways on the field, so I was offensive center and defensive end.
George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies.
