This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
Natasha Lyonne is fantastic on Twitter. She posts hilarious pictures. I don't even know where she finds some of them; it'll be like a random picture of a chinchilla kissing a lion or Bill Murray and Jim Belushi out on a boat or something.
I didn't realize - you think you are doing a movie but then you realize it's a Columbia Pictures movie so it's probably going to have some publicity. Then you see a billboard and it's like, 'God! I'm on a billboard!' It doesn't hit all at once, it kind of unravels itself and it's still unraveling.
I threw my 20th birthday party at Brown, and I didn't even have to say to anyone not to put pictures on Facebook. Not a single picture went up. That was when I knew I'd found a solid group of friends, and I felt like I belonged.
I've tried plenty of telephones. I tried to get into the Samsung Galaxy and the Blackberry, but the iPhone is just too easy to use. The camera takes clear pictures and the phone itself looks great. Like all Apple products, it kind of just makes sense.
By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens.
I always take a cashmere blanket, and I have pictures of my family in my passport holder.
I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.
The pictures I make come from every blink of my lashes.
Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.
Everybody wants blockbusters. I like to see a few pictures now and then that have to do with people and have relationships, and that's what I want to do films about. I don't want to see these sci-fi movies, and I don't want to do one of those. I don't understand it.
In the '60s, I used to love rock magazines; I'd cut out pictures of Bob Dylan and John Lennon.
To me I'm just a regular person going to the mall with friends, and now I'm in Forever 21 and I see this random group of girls staring at me and taking pictures. But now I usually have my dad, who is a really tall and intimidating person with me, so he's kind of my bodyguard.
There's a bookstore in New York where you could buy scripts, and I got addicted to them because they were easy, quick reads... and the pictures were so vivid.
We considered the Dear Leader our god. That's huge. He's more than our parents. I thought all of the world respected Kim Il Sung. That's why we were bowing to their pictures.
I'm a fan first and foremost. I get caught up in the drama, the emotion of what is happening, whether it's a boxing match, an MMA fight, a kickboxing contest, or a WWE matchup. I want to tell the story and paint more pictures.
In the Fifties, my parents were known as 'America's sweethearts'. Their pictures graced the covers of all the newspapers. They were the Brad Pitt and Jennifer Aniston of their day.
I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
Well, in brief, I was discovered by a lady called Beth Boldt. She had also been a model. She used to take pictures of the girls she found, and she took a picture of me one day in my school uniform, and it all kind of started from there.
Here we have been sitting down for a brief moment and you are already asking me if there are pictures of me in my drawers.