I've got a great collection of photography.
I'm a huge, huge fan of photography. I have a small photography collection. As soon as I started to make some money, I bought my very first photograph: an Henri Cartier-Bresson. Then I bought a Robert Frank.
Photography is always a kind of stealing. A theft from the subject. Artists are assaulters in a lot of ways, and the viewer is complicit in that assault.
The other great development has been in photography, but that too was influenced by Conceptual art.
I never liked dance photography; it's very flat, and dance photography in the studio looks very contrived.
Actually, when I first started dabbling in photography, I was still working for my parents as a salesman.
For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
Photography can be a deceitful, superficial medium that leads us into believing something even though we know it's not necessarily true. It lulls us into a false sense of complacency.
Landscape photography is the supreme test of the photographer - and often the supreme disappointment.
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, but I'm not sure.
I became enamored with photography when I was about 13 or 14 years old. I've been at it ever since. I studied seriously in the '70s.
There is no question that photography has played a major role in the environmental movement.
If I had to start over, I'd pursue photography - probably to the exclusion of acting.
Look at lots of exhibitions and books, and don't get hung up on cameras and technical things. Photography is about images.
Photography deals exquisitely with appearances, but nothing is what it appears to be.
Apart from photography and music videos, I also do graphic design.
I found that photography was a great way of relaxing on the set.
Over the last few millennia we've invented a series of technologies - from the alphabet to the scroll to the codex, the printing press, photography, the computer, the smartphone - that have made it progressively easier and easier for us to externalize our memories, for us to essentially outsource this fundamental human capacity.
Actually, I'm not all that interested in the subject of photography. Once the picture is in the box, I'm not all that interested in what happens next. Hunters, after all, aren't cooks.
Photography imitates everything and expresses nothing.
