America has this fascination with glorifying the villain and not talking about the trials and tribulations. We tell the story of the successful villain a lot of times, but we don't tell the story of the people who don't come out so successful, and we don't tell the story of all the bystanders of that choice.
Everything is not black-and-white. I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
Glorious shall be the battle when the time comes to fight for our people and our race.
Into The Gloss is buoyed by the people on it, the people who read it and discuss it, and the people who work on it.
People always say that pregnant women have a glow. And I say it's because you're sweating to death.
Trump needs to stick like glue to whomever writes his speeches and fire whomever told him Americans are up at night worried about the comfort and well-being of people who broke into our country illegally.
My mother was a huge, huge reader. I think I picked up very early how precious it was to write things in books and have people like my mother glued to the page.
If you're glued together right and honorable, you will succeed. Get in there and get rid of stupidities and avoid bad people. Try teaching that to your grandchildren. The best way is by example. Fix yourself.
Anthony and I are putting together a company where we won't lose our jobs based on quarterly earnings and can afford to play a longer game. That short game is what creates a glut of mediocrity in the market because people are desperate for hits, and it puts so much pressure on executives to deliver them. We will take that pressure off the artists.
My whole comic persona is that of a guy who explores the id: I romanticize gluttony, I romanticize laziness, and people identify with that.
I draw hundreds and hundreds of pictures of sort of gnarly looking men, so I don't know what that tells you. People who look like... they're waiting for a sandwich that's never going to come. I don't know what's wrong with me.
In documentary, mostly, people are going to say untoward things; people are going to have gnarly beliefs. People aren't perfect.
I just played one of the bad guys in Hercules 3D, and I had cornrows. People moved away from me in elevators, that's for sure. I wore them for about three months. After a while, they get a little gnarly, and you have to redo them.
It's really hard when people write nasty things about you all the time. As much as good things are said about you, it's always those one or two bad comments that really stay with you and gnaw at you. I try not to read that stuff if I can.
I don't know very many people in the art world, only socialise with the few I like, and have little time to gnaw my nails with anxiety about any criticism I hear about.
The irony is that the people we tend to vote for actually look down on voters and voting. That's just idiotic, right? That's like a snake eating its own tail! A wolf in a trap gnawing off its own head to escape!
People can identify as however you want to. Right on. Go for it. But my strategy in this bigger game of life is to not identify as anything.
People like to tear you down. People are always going to take shots. You've just got to go for it.
On stage I make love to twenty five thousand people; and then I go home alone.
When I was saying, 'White people go to hell,' I never had trouble finding a publisher. But when I say, 'Black and white unite and fight, destroy capitalism,' then you suddenly become unreasonable.
