The best executive is one who has sense enough to pick good people to do what he wants done, and self-restraint enough to keep from meddling with them while they do it.
People can't get their heads round the idea of a species surviving; you know, they're more concerned about how you treat a donkey in Sicily or something.
If somebody tells you that you have ears like a donkey, pay no attention. But if two people tell you so, buy yourself a saddle.
I felt like people who had a lost mindset or who occasionally did stupid things were having a 'donkey' moment, or some of them are permanent donkeys, so I just started calling them donkeys. So when I went to Philly to do my own morning show, that's when I first started doing 'Donkey of the Day.'
And the political system is changing rapidly in this country, and we better realize that. The elephants or donkeys are not what younger people look to. They look at individual candidates' philosophy, and I think it's a different time and a different generation.
I call on all the countries of the world, especially the donor countries, to speed up their contributions so that the Palestinian people may overcome their economic and social problems and proceed with reconstruction and the rebuilding of infrastructures.
We've already seen other candidates set up these secretive super PACs where they don't take any responsibility for what they're funding... because that's how the game has always been played. I've been very proud to tell people, 'I'm stepping forward, and you can see every single one of our donors.'
The best way to end poverty is to simply give people work, which isn't considered 'sexy' among donors who want to fund a preschool or cure a disease.
Traditional charity is still fairly focused on how it makes donors feel as opposed to outcomes for people that need help.
We became enthralled with the view that wealth trickled down from the top and that if you poured money into rich people, sort of like an ingredient, prosperity and jobs would squirt out of them like donuts. And if you understand economies in the 19th-century way, that view is plausible, and I think a lot of people accepted it.
People like our stuff, some people hate it, but that's like anything, right? Some people love donuts, some people are allergic to 'em.
There are people who could watch a hurricane like Sandy blow out of the Atlantic every other day and blame it on anything but human activity. They are like those who, having been diagnosed with diabetes, eat donuts for breakfast. There's not much to do about them.
CBS garners a predominately older white audience, and by having a show like 'Superior Donuts' on their weekly programming, it distorts what people are used to seeing in a positive way. It's a show I think was necessary.
I'm pretty rubbish, as we say in Britain, artwise, and I always envy people who can pick up something and even do just a little doodle of someone that looks vaguely like them. It's impressive.
We are visual creatures. When you doodle an image that captures the essence of an idea, you not only remember it, but you also help other people understand and act on it - which is generally the point of meetings in the first place.
You hear doom and gloom about the Internet ruining young people's command of English - that's nonsense.
Prophets of doom have always taken risks in terms of ridicule and humiliation. If you stand on a street corner holding up a sign that reads 'The End Is Near,' passersby will laugh and heckle. People will say you're like Chicken Little, running around telling people the sky is falling.
I am greatly proud of the fact that 'Doom' is one of those things where everything that has a 32-bit processor has had 'Doom' run on it, and I think that's been one of the great aspects of having it be open source: having everything out there means that people have maintained that and kept it up to date.
To this day, I run into people all the time that say, whether it was 'Doom', or maybe even more so 'Quake' later on, that that openness and that ability to get into the guts of things was what got them into the industry or into technology.
We were happy with funding 'Rage' on our own nickel for years. We intended to do the same with 'Doom 4'. We had offers early on for 'Rage'. People offered us X million dollars. But we carried the risk, and when we finally signed a deal, it was X plus $10 million.
