Real people have trouble balancing their checkbooks, much less calculating how much they need to save for retirement; they sometimes binge on food, drink, or high-definition televisions. They are more like Homer Simpson than Mr. Spock.
People can make any political calculation they want. I make decisions what I think is in the best interest.
Deng Xiaoping made a calculation. He bet on demographics. What he knew was that China had this enormous population of young, underemployed people, people who he could move from the farms to the coast and put them to work in factories, and that would be the lifeblood of China's economy.
We don't design by calculator or by demographics or anything like that. We really are a group of creative, sensitive people. We have our charmed little world where we get to make things. We're really lucky.
People think that the arts are optional and they aren't. They teach a level of emotional depth that's equally important to mathematic skill. You can replace some math skills with a calculator if you know how to operate the thing, but there's no calculator for human interaction.
There's a popular concept of 'intelligence' as book smarts, like calculus or chess, as opposed to, say, social skills. So people say that 'it takes more than intelligence to succeed in human society.' But social skills reside in the brain, not the kidneys.
I certainly could've made a lot more money buying cheap ingredients, and people might not have been able to tell the difference. That was never a part of the calculus. It was not part of my DNA.
You might be thinking that some people are just naturally good at speaking up, and others just aren't - game over. Not true. Speaking up is a skill that you have to learn like any other, whether it's speaking Spanish or doing calculus or changing a tire.
There are several ways to mess up your life by fighting to make your calendar age match your felt age. I live in the Southwest, a part of the country with more than its share of fair skies, material wealth, and people who are trying not to be as old as they are.
It's rare to find someone excited over jury duty. If they're out there, I've never met them. Not a one. When the summons for jury duty arrives in the mail, how many people scream, 'Yes!' and run to clear the calendar? None. Our first and only reaction is, 'Oh, no,' quickly followed by, 'How can I get out of this?'
I have a massive phobia for schedules and calendars. I need people to tell me where I need to be. I can't bear to see it in black and white. I think it's a fear of being pinned down.
I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
The most successful people I've worked with, like the Rolling Stones - people of a different, kind of legendary caliber - have such great, warm energy.
It's a beautiful thing to have time in the world, as a singer and as a musician, to make friends with people of the musical caliber of a Tommy Smith, an Arturo Sandoval, a Richard Galliano, a Till Broenner.
That's a problem. I mean, like any sort of growing startup organization, we are sort of overwhelmed by our growth. And that means we're getting enormous quantity of whistleblower disclosures of a very high caliber, but don't have enough people to actually process and vet this information.
I don't think I'm a great singer myself. I'm all right. I've worked with different writers, different producers... I've just been blessed with the caliber of people I've been able to work with.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
In any democratic, civilized - even non-democratic nations, if you are a nation, it means to say that in our case, if there's a hurricane in Louisiana, the people of Vermont are there for them. If there's a tornado in the Midwest, we are there for them. If there's flooding in the East Coast, the people in California are there for us.
East is East, and West is San Francisco, according to Californians. Californians are a race of people; they are not merely inhabitants of a State.