I'm always a bit wary when people say in interviews, 'I'm at the happiest place of my life that I've ever been.' I think, 'Really? Are you?' Life is a mix, isn't it?
You wash your hands when you shake a bunch of hands. You have to wash your energy when you're around people. It's hard for me to say self-care is washing, although I think it is. So I made music for self-care. That's what it's for.
The idea of a tax on the ownership of a television belongs in the 1950s. Why not tax people for owning a washing machine to fund the manufacture of Persil?
Even a liberal city will have a prehistoric homophobe. After a show in Washington State, this guy came up to me and said, 'Your shows was a lot funnier before you started in on your agenda.' I told him, 'Please, please keep people like you from coming to my show. I'm glad you had a bad time.'
I don't have faith in young people any more. I don't waste time trying to communicate with them.
People who don't know how to keep themselves healthy ought to have the decency to get themselves buried, and not waste time about it.
I don't waste time despising people.
In business, real jobs profitably produce goods and services that people value more highly than their alternatives. Subsidizing inefficient jobs is costly, wastes resources, and weakens our economy.
There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Afterward, they would come back, and they were my parents again. It was magic.
I realise how important it is to use the time I have. I respect people who want to do that by watching television. I happen to want to read books. But I know I can't read all the books or watch all the movies in one lifetime.
Viewers can't work or play while watching television; they can't read; they can't be out on the streets, falling in love with the wrong people, learning how to quarrel and compromise with other human beings. In short, they are asocial.
My first serious girlfriend, when I was 16, was Mormon. I went to her house for 'family home evening,' and I was like, 'Why aren't you people ignoring each other and watching television?'
When I was young, it was television that was taking off, and so you had people worried that people were spending too much time watching television.
When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.
The challenge with 'Watchmen' is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It's one of those things where, over time, it has happened more.
People unacquainted with graphic novels, including journalists, tend to think of 'Watchmen' as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.
I think that having comedy where people talk the way they really talk, when you talk with your friends and whatever, it's really, it's important. Or else you're making stuff that's a little bit watered down and irrelevant.
As you get older, you're doing different parts, but the young people, like yourself, they keep you excited, because they'll see Waterfront, and they'll want to talk about it.
Sometimes you read things that people don't even notice in a performance, that you just are moved by or understand that this actor is really living his or her life on the screen. The first time I realized that was when I watched Brando in 'On the Waterfront.'
I feel that recording a song already compromises the magical music one can create in the mind, so the fewer people watering down this process the better.
