If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by.
New Zealand is a pretty no-nonsense place to work, like Australia. I mean it doesn't falter to anyone.
At first, 'Family Ties' seemed to just be a wonderful project of its time. These were the Reagan years, the new conservatism. Alex P. Keaton quickly became the Fonzie of the '80s, so it seemed very much a product of its time. But I soon began to realize that it went far beyond that. These great family shows transcend whatever time they are in.
In addition to billions in new 'stimulus' spending that our country can't afford, the Geithner plan also contains billions in tax increases on small and family-owned businesses while protecting the tax preferences of wealthy, multinational corporations.
There's no difference between fame and infamy now. There's a new school of professional famous people that don't do anything. They don't create anything.
We have a growing new fan base, and we wanted to get out now, and play now, and the timing was right.
The interval between the decay of the old and the formation and establishment of the new constitutes a period of transition which must always necessarily be one of uncertainty, confusion, error, and wild and fierce fanaticism.
One of my really good friends in New York is a musician and looks just like Lindsay Buckingham. We always fancied ourselves the nice Fleetwood Mac.
I was a suburban kid who fancied myself somehow intellectual. I was into punk rock but I couldn't get into the subcultural signifiers of dyed hair, safety pins and torn denim. Being a punk seemed like a new set of rules that I wasn't interested in having to follow.
In China, inaugurations are frequent affairs, though they have nothing to do with presidents. A news cycle rarely passes without some fanfare over the inaugural ride on a new subway line or the inaugural trip across an unusually large bridge.
To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences.
I was born on 22 March 1931 in New York, the elder child of Abraham and Fanny Richter.
Sometimes I have these fantasies of just moving to a foreign country and coming back with a full head of hair. Or not even come back! Make a new life there with hair... Change my name, just see what happens.
Right now, I'm hankering for new adventures... Ninety percent of the time I'm having romantic-comedy fantasies in which I'm wearing little pencil skirts and hurrying down to the subway.
I live in Santa Fe, New Mexico. And I travel a tremendous amount. I'm in New York and California a lot, but then also I like faraway places a lot.
'Faraway' takes only minutes or a couple of bus stops to play. The easy to use touch controls work beautifully on the iPad. This is the game that should come standard on every new iPad.
I grew up in suburban New Jersey in a transitional area that was surrounded by farmland that wasn't being cultivated.
In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.
Totem poles and wooden masks no longer suggest tribal villages but fashionable drawing rooms in New York and Paris.
Every generation laughs at the old fashions, but follows religiously the new.
